Architecture Filmmaking
Architecture Filmmaking (Book)
This book investigates the ways in which architectural researchers, teachers of architecture, their students and practising architects, filmmakers and artists are using filmmaking uniquely in their practice.
Edition
Unlike other books on architecture and film, Architecture Filmmaking investigates how the now-expanded field of architecture utilizes the practice of filmmaking (feature/short film, stop motion animation and documentary) or video/moving image in research, teaching and practice, and what the consequences of this interdisciplinary exchange are. While architecture and filmmaking have clearly distinct disciplinary outputs and filmmaking is a much younger art than architecture, the intersection between them is less defined. This book investigates the ways in which architectural researchers, teachers of architecture, their students and practising architects, filmmakers and artists are using filmmaking uniquely in their practice.
Dr Igea Troiani is an academic, architect and independent filmmaker teaching at Xi'an Jiaotong-Liverpool University. She is co-editor of The Politics of Making (2007) and is founder and editor-in-chief of the international award-winning journal Architecture and Culture, Routledge.
Hugh Campbell is professor of architecture at University College Dublin where he is head of the School of Architecture. He is currently leading a HEA-funded project to develop the relationship between the National College of Art and Design and UCD.
Introduction
Part I: Architecture Filmmaking Technique
Architectural Codes in the works of Dan Graham, Bernard Tschumi and Diller and Scofidio – Sarah Breen Lovett
The Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg – Alexandra Stara
Mysteries of the Visible: Filmic Operations and Their Value for the Representation of Place – Artistic Research in the Moving Image – Fred Truniger
Paris Plays Itself: Widescreen and the City in Tati, Godard and Melville – Douglas Smith
Tracking Spatial Continuity in the Urban Realm – Igea Troiani and Hugh Campbell
Inside History: Filmic Space-time and an Electronics Archaeology – Christine McCarthy
Part II: Architecture Filmmakers
Section I
Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing – Lilian Chee
Filming Architecture and the Architecture of Film: A Reading of the Maison de Verre – Mary Vaughan Johnson
Light Matter: The Transdisciplinary Practice of the Architectural Moving Drawing – Eleanor Suess
Section II
Hammer to Bell: A Poetic Documentary about Limerick – Jan Frohburg and Christina Gangos
Invented Memories: Notes on Filming Industrial Ruins in Eleonas, Athens – Ektoras Arkomanis
Errant Bodies: A Critical Essay on the Film More Out of Curiosity – Ronnie Close
Section III
Fight Club: Whether to Make PoMo Architecture or Blow It Up! – Dik Jarman
His House, Our House and Her House: A Filmic Place for Women – Igea Troiani
Stylist as Auteur: Hierarchy, Reputation and Creative Control – Philip Clarke
Part III: Architecture Filmmaking Pedagogy
Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture – Marc Boumeester
From Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary – Randall Teal
Deeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational Methods – Thomas Forget
Resonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Architectural Design – Rikke Munck Petersen and Mads Farsø
Cinematic Collage as Architectural Design Research – Igea Troiani and Tonia Carless
Cinematics in Architectural Practice and Culture: The Cambridge Project –François Penz and Maureen Thomas
A Postgraduate Student’s Pursuit for the Future of Architecture Filmmaking in Cuba’s Cinematic Heart: No Hay CINE – Edward Gillibrand
