Neil Parsons was professor of history at the University of Botswana between 1995 and 2009. He previously held positions at the Universities of Zambia and Swaziland, and at Botswana's National Institute of Research and its National Museum. He is the author of King Khama, Emperor Joe, and the Great White Queen and Clicko the Wild Dancing Bushman, both published by the University of Chicago Press.

'Black and White Bioscope proves itself a vital text in the understanding of some aspects of the history of film-making in Africa – with specificity on the southern African region. It distinguishes itself among other literature given the fact that the author – Neil Parsons – who happens to be a historian by training - strictly adopted historical methodologies for a lucid reconstruction of the events he has captured in his book as narrated through the three basic scopes in historical studies: thematic, geographical and chronology. Moreover, the text has shown to possess the requisite and most-fundamental elements of historical insights to help historians and literary scholars seek to get a grasp on the origin of what exists as the film-making industry in Africa. It promises to be a reliable companion as it comprises diverse collections, reviews and biographies of some of the earliest film-making experiences of black and European personalities.'

This is a history which has long needed to be told. It throws new light on developments in film production during the Great War period and immediately after. Can we hope that one day it will be made into a documentary so that we don’t make the mistake of thinking that outstanding films were produced only in Europe and America? Neil Parsons has produced an important and valuable book—it is worth its cost for its historical backgrounds alone.' 

Neil Parsons’s reputation as a sharp-eyed analyst of central and southern Africa is based on his enviable knack of finding neglected topics and then fashioning them into works that simply light-up cultural history everywhere. Black and White Bioscope offers us a remarkable illustration of how pioneering films not only helped shape our self-image, but influenced the way in which Europeans— locked into fading imperial notions—sought to understand what they considered to be ‘Africa’.' 

'A splendid addition to the burgeoning literature on colonial cinema and Black world cultural studies.'

'Distinguished historian of southern Africa Neil Parsons documents a remarkable moment in the history of filmmaking in Africa. [...] Without question this is a fascinating story. The book, however, is less an account of that history than a compendium of information about it. Produced in the large format of a coffee table volume, Black and White Bioscope includes hundreds of wonderful illustrations, including many stills from the films. [...] Scholars of media and film will be grateful for the remarkable research that Parsons has completed and the information that he has compiled.'

'[Black and White Bioscope] is an extensive and detailed historiography of early Sub-Saharan South African cinema that covers a 26-year period of intense productivity. In strict chronological order, Parsons highlights the major producers, filmmakers, and international and native participants that comprised South African film. [...] What enlivens Parsons' biographies of these major producers and performers are the detailed narrative summaries and still images from the films (some titles no longer exist in extant condition). The summaries and till manage to capture the grandeur of the films about wars (native and international), native life, the majestic African landscapes, and White people's taming of the wilderness, as well as, the segregation and penury of the indigenous peoples. [...] A rich treasure trove of facts, film titles, narrative summaries, reviews, and biographies.'