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Matilde Nardelli

Matilde Nardelli is a British Academy Post-doctoral Fellow at University College London, working on a project entitled 'Screens, Projections and Projectors: Cinema between Sculpture and Monumentality'. She wrote her Ph.D. thesis on Antonioni and experimental film-making, and is interested in the dialogue between ‘commercial’ and ‘experimental’ cinema, and between cinema, art and other media. Her recent publications include 'Moving Pictures: Cinema and Its Obsolescence in Contemporary Art', Journal of Visual Culture (December 2009); 'Dream Houses', Sophia (June 2009) and 'The Cut: Interruptions of Consciousness in Zorns Lemma and Red Desert', Crash Cinema, ed. by Jill Good, Mark Goodall and Will Godfrey (Cambridge Scholars Press, 2007).


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