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Mick Finch
Mick Finch’s research takes the form of studio practice, writing and pedagogical projects. He exhibits his work regularly and internationally most recently at the Sid Motion Gallery (London 2017), Engrams, a one-person show at the Piper Gallery (London, 2013). He has published widely on visual art practices and is associate editor of the Journal of Visual Art Practice and the Journal of Contemporary Painting, for which, in 2015, he co-edited a special edition on Simon Hantai’s work. He has written about the technical apparatus of the Warburg Haus. Two articles on the subject were published in a recent edition of the Journal of Visual Art Practice entitled ‘Headstone to hard drive’. He lived, exhibited and taught for twenty years in France and has written extensively about post-war French art. He leads the Tableau research project at CSM, an outcome of which was the conference Tableau: Painting Photo Object at Tate Modern in 2011. He is a member of the French research group Peinture: un réseau de recherche funded by the French Ministry of Culture. In 2011 he was an Abbey Fellow in Painting at the British School in Rome and he is a senior scholar of the Terra Foundation in Paris. He is a reader in visual art practice at the University of the Arts, London and the BA fine art course leader at Central Saint Martins, London.