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Book
Media Materialities
Edited by
Iain A. Taylor
and
Oliver Carter
Book
Women's Work in Post-war Italy
By
Flora Derounian
Article
Costuming the queer body: How body image impacts aesthetic and identity expression within queer creative communities
By
Ehud Joseph
,
Tiziana Ferrero-Regis
and
Jeremy Kerr
Article
Costumes that tell multispecies stories: Critique of <i>Sympoiesis: A Bio-Inspired Dance Performance</i>
By
Laurane Le Goff
Article
To perform or not to perform, that is the question: Drama activities and psychological wellbeing in adolescence
By
Vicente Alfonso-Benlliure
and
Tomas Motos Teruel
Article
What can we learn from play? A comparative analysis of creative play and ‘playing along’ in dementia care environments
By
Sheila McCormick
Article
Editorial
By
Peter O’Connor
and
Kelly Freebody
Article
Roles and micro-chauvinism in youth: A semiotic analysis of expanded theatricalities
By
Yasna Patricia Pradena-García
,
Eduardo Fernández-Rodríguez
and
Rocío Anguita-Martínez
Article
Pandemic, theatre and performance: Democratizing the subalterns through the Theatre of the Oppressed
By
Anirban Debsarma
and
Sreemoyee Sarkar
Article
Can arts-based interventions reduce children’s peri-operative anxiety in paediatrics? A discussion of representative studies
By
Lars Harald Maagerø
,
Charlotte Grainger
and
Persephone Sextou
Article
‘Side by Side by Side’, in the street
By
Rosza Daniel Lang/Levitsky
Article
Sondheim’s vamps and Africanist musical practice
By
Masi Asare
Article
Encountering <i>Road Show</i>
By
Jane Cox
Article
If it happened, he was there
By
Kim Varhola
Article
Sondheim’s generative geniality
By
Harvey Young
Article
Kaddish for Steve: On the Jewishness of Sondheim<sup>1</sup>
By
Gabrielle Hoyt
Article
Worthy of your love: Queerness and ghosting in <i>Assassins</i> and <i>Company</i>
By
Bess Rowen
Article
Sondheim at the disco
By
Jordan Schildcrout
Article
‘Now you know’: On Sondheim and middle age
By
Ryan Donovan
Article
Still ‘queer for Uncle Sam’?: Anita’s Latina diva citizenship in <i>West Side Story</i>, revisited – an interview with Deborah Paredez<sup>1</sup>
By
Jack Isaac Pryor
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