Theatre, Time and Temporality (Book)

Melting Clocks and Snapped Elastics

Theatre, Time and Temporality is the first book-length exploration of the subject of temporality within theatre and performance. David Ian Rabey brings in sources ranging from medieval and Renaissance theatre to contemporary performances to analyse ways that time can be presented, communicated and transformed in the theatre.

Edition

Theatre, Time and Temporality is the first book-length exploration of the subject of temporality within theatre and performance. David Ian Rabey brings in sources ranging from medieval and Renaissance theatre to contemporary performances – in addition to recent writings from physics, philosophy and psychology – to analyse ways that time can be presented, communicated and transformed in the theatre. How do we experience time in theatre, and how can that experience be altered or manipulated? Rabey’s analysis and exploration will spark discussion among students and scholars of drama, as well as among practicing performers and dramatic writers.
 

David Ian Rabey is professor of drama and theatre studies at Aberystwyth University.

Acknowledgements xiii
Introduction  
Part I: Theatre in Time  
Chapter 1: Whose Time Is It?

Chapter 2: Theatre in Time

Interval: A Hole in the Night

Part II: Time in Theatre

Chapter 3: Shapes of Time

Interlude 1: ‘Why don’t you all just f-f-fade away’?: Further Thoughts on Staging Ageing

 

Chapter 4: Principles of Uncertainty

Interlude 2: The Clock in the Forest: Jerusalem Unenclosed: A Case History

Chapter 5: Time Out of Joint 

Inconclusion: Repent, Harlequin … 

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