News

Wednesday, April 27, 2022

Animation Practice, Process and Production 9 is out now!

Intellect is pleased to announce that Animation Practice, Process & Production 9 is out now!

 

For more information about the journal and issue click here>>

https://www.intellectbooks.com/animation-practice-production-process

 

Aims and Scope

 

Animation Practice, Process & Production is a double-blind peer-reviewed journal presenting, analysing and exploring how animation is created and shown. Animation encompasses a huge variety of practices, many of them unacknowledged or underexplored. This journal attempts to bring all types of animation to the fore and to present insight and analysis about the practice, process and production of such work. Illustrated contributions are invited from practitioners and scholars of animation around the world representing animation from many different perspectives. Innovative models of critical presentation and analysis are especially encouraged, along with reviews and interviews. It is hoped that this journal will contribute to the expanding richness of knowledge and debate around animation.

 

Issue 9

 

Editorial

SAMANTHA MOORE, MIRIAM HARRIS AND ELLIE LAND

 

Articles

 

A problem with questions: Improvisation and unforeseen epistemology in animation practice

ANDREW BUCHANAN

 

Knowledge production as process in arts practice as research

SALLY PEARCE

 

Capoeira: An exploration of animism and the representation of the spirit through ethnographic animation

MARY MARTINS

 

Cultural roots and nostalgia: Exploring cultural identity and sense of belonging through animation practice

ELEONORA ASPARUHOVA AND MARIANNE PATERA

 

Astro-animation: A case study of art and science education

LAURENCE ARCADIAS, ROBIN H. D. CORBET, DECLAN MCKENNA AND ISABELLA POTENZIANI

 

It is all fun and games: Using gamification and serious gaming to bridge the practice–theory gap in a creative industries school

STÉPHANE COLLIGNON AND THIBAUT SANA

 

Doozy deconstructed: Paul Lynde’s voicing of Hanna Barbera’s animated villains

RICHARD SQUIRES

 

Batman’s theories and attitudes: ‘Re-positioning’ practice as research

PAUL WELLS

 

Practice as research in animation: A provisional engagement

ROBIN NELSON

 

Walking from physical to digital within Deep Waters

KATERINA ATHANASOPOULOU