
Critical Studies in Fashion & Beauty 13.1 is out now! Special Issue
Intellect is pleased to announce that Critical Studies in Fashion & Beauty 13.1 is out now!
Special Issue: ‘Curatorial Reflections’
For more information about the journal and issue click here>>
https://www.intellectbooks.com/critical-studies-in-fashion-beauty
Aims & Scope
Critical Studies in Fashion & Beauty (CSFB) engages analytically, critically and creatively with fashion and/or beauty. At times lumped together conceptually into ‘the fashion-beauty complex’, this journal acknowledges the problems associated with collapsing these terms, such as: (a) the conflation of fashion and beauty, concepts which encompass varying degrees and types of agency, change and dynamism; (b) the implicit reinforcement of white hegemonic femininity (and hence, the exclusion of masculinities, people of colour, older adults, differentially abled individuals, and queer and transgender subjectivities); and (c) the blurring of distinct industries. At the same time, the body is the centrepiece of fashion and beauty alike – in cultural representation as well as in everyday life. CSFB seeks to foster more diverse and inclusive ways of understanding the embodiment of aesthetics and politics. It does so by dismantling hegemonic assumptions and propelling fresh theoretical and methodological approaches to the study of fashion and/or beauty.
Issue 13.1
Editorial Foreword
Editorial foreword to the Special Issue on ‘Curatorial Reflections’
SUSAN B. KAISER AND ANNEKE SMELIK
Introduction
Curatorial reflections in North American university fashion collections: Challenging the canon
DENISE NICOLE GREEN AND KELLY L. REDDY-BEST
Articles
LYNDA MAY XEPOLEAS AND EMILY HAYFLICK
Curating Dior to Disco: Extrapolating complex narratives from existing objects
JEAN E. MCELVAIN AND CAREN S. OBERG
An exhibition: One American Family: A Tale of North and South
LINDA WELTERS, REBECCA KELLY AND SUSAN J. JEROME
Reflections on Peruvian Textile Traditions: A Living Heritage exhibit
ASTRID VIDALON
Curating the circus: Collaboration and responsibilities in digital costume exhibitions
JENNY LEIGH DU PUIS AND CHISATO YAMAKAWA
DYESE L. MATTHEWS AND KELLY L. REDDY-BEST
The fashion and textiles collection matrix: A proposed self-assessment tool
SARA B. MARCKETTI AND JENNIFER FARLEY GORDON
Exhibition Review
DYESE L. MATTHEWS