Culture and Contestation in the New Century (Book)

A series of essays by internationally known artists, scholars, and critics in the growing field of cultural theory, Culture and Contestation in the New Century examines the conditions of cultural production in the first decade of the twenty-first century. With an emphasis on how current neoliberal policies have affected institutions of cultural production and dissemination, it emphasizes the ensuing changes to critical theory. The contributors here are among the most respected scholars in art, art criticism and cultural studies, and this powerful analysis poses important questions about cultural democracy and social change.

Category: Cultural Studies

Edition

Cultural production as we know it has been undergoing significant restructuring. In an effort to compensate for the global decline in economic growth, governments and corporations have begun to seriously consider the creative fields as markets that can be stimulated through venture capital and regional development initiatives. Along with the neoliberalization of cultural institutions, a conservative agenda that is buttressed by a war economy confronts critics and activists with the repressive forms of state censorship and police control.

From art collectives to the US-led war on terror, from cultural contestation to neoliberal governmentality and from alter-global anti-capitalism to the creative industries, this collection of essays examines the issues and politics that have marked cultural production in the first decade of the twenty-first century. In the context of a proliferation of socially engaged art practices and the interventions of autonomous art collectives, Culture and Contestation in the New Century presents the viewpoints of leading international artists and intellectuals working in the fields of critical and cultural theory. After the impasse of a postmodern post-politics ‘beyond left and right’, what are the possibilities for a radical politicization of cultural discourse? How has oppositionality shifted away from identity and difference, as well as social constructionism, to consider the universal determinations of contemporary neoliberal capitalism? These essays present a number of untimely reflections on the conditions of contemporary cultural practice, subjectivity and political dissidence, making new connections between cultural production, politics, economics and social theory. Simply stated, the book provides an account of the current interface between art and politics.

Marc James Léger is a writer, artist and educator living in Montreal. He has published numerous essays on cultural theory in such journals as AfterimageArt Journal, C Magazine, Etc, Journal of Aesthetics and Protest and Third Text. He is editor of the collected writings of Bruce Barber, Performance, [Performance] and Performers (YYZBOOKS, 2007).

Introduction: Doing the unexpected, creating the present – Marc James Léger
 
PART I: Critical Cultural Practice
 
Chapter 1: Hans Haacke and the art of not being governed quite so much – Rosalyn Deutsche
 
Chapter 2: Counting on your collective silence: Notes on activist art as collaborative practice – Gregory Sholette
 
Chapter 3: Neo-liberalism with Dutch characteristics: The big fix-up of the Netherlands and the practice of embedded cultural activism – BAVO
 
PART II: Creative Labour and Creative Industries 
 
Chapter 4: ‘Everyone is creative’: Artists as pioneers of the new economy? – Angela McRobbie
 
Chapter 5: Creative industries as mass deception – Gerald Raunig
 
Chapter 6: Creative industries: Neo-liberalism as mass deception – Aras Ozgun

PART III: Neoliberal Governmentality and Cultural Resistance

Chapter 7: Not so quiet on the western front: A report on risk and cultural resistance within the neo-liberal society of fear – Critical Art Ensemble
 
Chapter 8: From reaching Heiligendamm: An interview with Oliver Ressler – Marc James Léger
 
Chapter 9: 1½ Métro Côte-des-Neiges: Do they owe us a living? – Mathieu Beauséjour

PART IV: Subjectivity in the Age of Post-Politics 

Chapter 10: Anonymous monuments to ordinary man and woman: The strange case of Berlin’s Ampelmännchen – David Tomas
 
Chapter 11: Giorgio Agamben’s homo sacer III and the status of the other – Bruce Barber
 
Chapter 12: On the permanent actuality for revolutionary cultural politics of President Mao Ze Dong’s slogan ‘long live the great proletarian cultural revolution’ – Slavoj Žižek
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