
Journal of Contemporary Painting 7.1-2 is out now!
Intellect is pleased to announce that Journal of Contemporary Painting 7.1-2 is out now!
For more information about the journal and issue click here>>
https://www.intellectbooks.com/journal-of-contemporary-painting
Aims and Scope
The Journal of Contemporary Painting (JCP) responds to the territory and practice of contemporary painting in its broadest sense, viewing painting as a context for discussion, exploring its sphere of history and influence, rather than as a medium specific debate. The Journal of Contemporary Painting combines a thematic approach with an open call, each issue opening up and problematizing pressing concerns in contemporary painting.
As well as contributions to current debates on contemporary art, a particular feature of the Journal of Contemporary Painting is the publication of archival or newly translated texts alongside current responsive articles, based on the premise that contemporary painting cannot be understood without reflecting on its history. Dedication to understanding the nature and forms of painting research has also led to the inclusions of an original visual essay for every edition. Additionally, in our reviews section, we respond to current exhibitions, books and symposia, nationally and internationally.
Our aim is to be responsive to current debates in painting and related art practices, drawing from a wide geographical field and across discipline boundaries to provide a discursive space in which a range of subject specialisms can be brought to bear on the culture of painting. We are particularly interested in writing emerging from practice-based research as well as from academics working in different disciplines.
Issue 7.1-2
Articles
VANESSA CORBY
Nexus, veil: Robert Ryman and the equivocal spaces of abstraction
APRIL VIRGOE
Speculative scholarship: Between text and image
CHRISTINA MAMAKOS
Visual Essay
CARAGH THURING
Articles
Shirley Kaneda: Doubled prisms
DAVID RYAN
Painting as technology: Toolpaths and pathways in Cheyney Thompson’s work
PIA GOTTSCHALLER
DAVID SWEET
New frontier: Three painters from Shenzhen and their relation with the Hong Kong art market
FRANK VIGNERON
Contemporary painting: The ‘loop’ and the Chinese context
YIFEI HE
Exhibition Reviews
Evan Roth’s ‘Red Lines’ with Landscapes: The Usher Gallery, Lincoln, 1 June‐15 September 2019
ANDREW BRACEY AND JOHN RIMMER
RINA ARYA
Avis Newman The Weight of Souls 1: Studio M, Rochelle School, London, 10 June‐30 July 2021
JOAN KEY