Fandom, Representations and Identities
An influential star of British pop for more than three decades, Morrissey is known for his outspoken and often controversial views on class, ethnicity, and sexuality. Among critics and his many fans, he has long been seen as an anti-establishment figure who continues to provoke devotion, argument, and spirited debate. This is the first collection of academic essays to focus exclusively on Morrissey’s solo career, and this important book offers a nuanced and rich reading of his highly influential creative and cultural output. Covering a broad range of academic disciplines and approaches, including musicology, ethnography, sociology, and cultural studies, these essays will be a must for fans of Morrissey or the Smiths, or those seeking to make sense of the many fascinating complexities of this global icon and controversial figure.
Eoin Devereux is a senior lecturer and head of the Department of Sociology at the University of Limerick. Aileen Dillane is a performer and lecturer in music at the Irish World Academy of Music and Dance at the University of Limerick. Martin Power teaches sociology at the University of Limerick.