News

Thursday, April 07, 2022

Studies in Spanish & Latin American Cinemas 18.3 is out now!

Intellect is pleased to announce that Studies in Spanish & Latin American Cinemas 18.3 is out now!

 

For more information about the journal and issue click here>>

https://www.intellectbooks.com/studies-in-spanish-latin-american-cinemas

 

Aims and Scope

 

Studies in Spanish & Latin American Cinemas is devoted to the study of Spanish-language and Latin American cinemas. Coverage includes the cinemas of Spain, and Spanish-speaking South, Central and North America, including the Caribbean, as well as Brazil. The journal is written in English and Spanish to maximize the opportunities for contact between different cultural regions and among academic disciplines such as media, film studies, Latin American and postcolonial studies, thereby encouraging contributions with an intercultural and interdisciplinary focus.

 

Studies in Spanish & Latin American Cinemas was formerly published as Studies in Hispanic Cinemas, 2004–13 (ISSN: 1478-0488, Online ISSN: 2040-0608).

For additional material, see https://slacextras.com.

 

Issue 18.3

 

Articles

 

A portrait of the urban female: Sebastián Lelio’s Gloria and Gloria Bell

PATRICIA VILCHES

 

The right to rights and Central American/Mexican migration films: Reading Sin nombre (Fukunaga 2009) and La jaula de oro/The Golden Dream (Quemada-Díez 2013) with political theory

DEBORAH SHAW

 

Building Muxeninity: Identity, gender/native performance and family in three documentaries

JOSÉ CARLOS DÍAZ ZANELLI

 

Spectrality in Pa negre/Black Bread (Villaronga 2010): Queer aesthetics and its politics of memory

CECILIA ENJUTO RANGEL

 

Special Dossiers

 

Editor’s introduction: New approaches to Mexican cinema

ADELA PINEDA FRANCO

 

A jaguar in Paris: Teo Hernández’s shamanic cinema

THOMAS MATUSIAK

 

Alfredo Joskowicz: Corporeal abjection and counterculture in independent Mexican cinema after 1968

EDGARDO F. TORMOS BIGLES

 

Writing from the gut: Embodied spectatorship and violence in contemporary Mexican cinema

OLIVIA COSENTINO

 

Mexican cinema as petrocinema

CAROLYN FORNOFF