The Cultural Impact of RuPaul’s Drag Race (Book)
Why Are We All Gagging?
Insightful and provocative, and new in paperback. Examines the social, cultural, political and commercial implications of RuPaul’s Drag Race, from its groundbreaking, subversive entry into the reality television arena, to a now mainstream, increasingly non-LGBTQ+, audience reach and relationship with fans. International contributors. 40 b/w illus.
Going beyond mere analysis of the show itself, essays in this edited volume interrogate the ways RuPaul’s Drag Race has affected queer representation in media, examining its audience, economics, branding, queer politics, and every point in between.
Since its groundbreaking and subversive entry into the reality television complex in 2009, the show has had profound effects on drag and the cultures that surround it. Bringing together scholarship across disciplines—including cultural anthropology, media studies, linguistics, sociology, marketing, and theater and performance studies—the collection offers a rich academic analysis of Ru Paul’s Drag Race and its lasting influence on fan cultures, queer representation, and the very fabric of drag as an art form in the popular cultural consciousness.
Cameron Crookston is a Canadian scholar, writer and university lecturer. His research focuses on drag as a form of cultural memory and seeks to further discussions on elements of nostalgia, queer memory and historical performance within the art of drag. He received his Ph.D. from the University of Toronto at the Centre for Drama, Theatre and Performance Studies in collaboration with the Mark S. Bonham Centre for Sexual Diversity Studies.
- Twerk It & Werk It: The Impact of RuPaul’s Drag Race on Local Underground Drag Scenes - Joshua Rivers
- 'Change the Motherfucking World!': The Possibilities and Limitations of Activism in RuPaul's Drag Race - Ash Kinney d’Harcourt
- Queering Africa: Bebe Zahara Benet's "African" Aesthetics and Performance - Lwando Scott
- 'Heather has Transitioned': Transgender and Non-Binary Contestants on RuPaul’s Drag Race - K. Woodzick
- How Drag Race Created a Monster: The Future of Drag and the Backward Temporality of The Boulet Brothers’ Dragula - Aaron J. Stone
- RuPaul’s Drag Race: Between Cultural Branding and Consumer Culture - Mario Campana and Katherine Duffy
- RuPaul’s Franchise: Moving Toward a Political Economy of Drag Queening - Ray LeBlanc
- Legend, Icon, Star: Cultural Production and Commodification in RuPaul’s Drag Race - Laura Friesen
- Repetition, Recitation and Vanessa Vanjie Mateo: Miss Vanjie and the Culture-Producing Power of Performative Speech in RuPaul's Drag Race - Allan S. Taylor
- It’s Too Late to Rupaulogize: The Lackluster Defense of an Occasional Unlistener - Timothy Oleksiak
- 'This is a Movement!': How RuPaul Markets Drag Through DragCon Keynote Addresses - Carl Schotmiller
'The Cultural Impact of RuPaul's Drag Race turns a fierce lewk without overriding any of the iconic moments served by its predecessors. [...] Condragulations, Cameron Crookston—you're safe! And lest we forget: such safety constitutes a strong recommendation to buy this book, because the true tea is that the mere existence of an increasing number of scholarly treatments of Drag Race is the most gag-worthy thing of all.'
I'm gagged and you will be too! You'll never watch RuPaul's Drag Race the same again after reading this insightful and provocative book.
RuPaul’s Drag Race has been captivating scholars, along with the general public, since its first season 12 years ago. If the West was offered glimpses of drag culture in Jenny Livingston’s documentary Paris is Burning in 1990 and Madonna’s video for “Vogue” that same year, RuPaul made it gaze wide-eyed at the spectacle of a drag-based reality competition beginning that began in 2008 and has no end in sight. Examinations of the phenomenon, its impact on the visibility and commercial potential of drag performance, and criticism of its appropriation of the lexicon and traditions of the artistic form have appeared in a number of journals in various corners of cultural studies. With Cameron Crookston’s anthology The Cultural Impact of RuPaul’s Drag Race there is finally, in one place, a collection of essays with both chronological perspective and diversity of approach, from consumerism and political economy to aesthetics and origins to activism and identity. Between its covers lies a richness and passion for the subject worthy of the Drag Race itself.