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Clizia Centorrino
Clizia Centorrino, an independent scholar, holds a Ph.D. in cinema studies from the University Grenoble Alpes, where she has been a teaching assistant. Her research interests lie in Italian cinema, documentary, cinema and psychoanalysis, and experimental cinema. She has published chapters in the volumes Fictional Artworks: Literary Ékphrasis and the Invention of Images (V. Cammarata and V. Mignano [eds], Mimesis International, 2016) and TuttoFellini (E. Giacovelli [ed.], Gremese, 2019); and articles in the academic journals Cinergie and L’avventura. She has also curated the retrospectives of Italian cinema at the Cinémathèque de Grenoble: Elio Petri et le cinéma de la névrose in 2019, Rétrospective Ermanno Olmi in 2018 and Rétrospective Leonardo Di Costanzo in 2017; the film festivals: L’excentrique cinema in Grenoble in 2019; the section Album Boris Lehman for Archivio Aperto in Bologna in 2019; and the section Pellicola in scena for the Turin Fringe Festival in 2019, dedicated to analogic performances in 16 mm and super 8 mm.