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Cosetta Gaudenzi
Cosetta Gaudenzi is associate professor of Italian and section head of the Italian Programme at the University of Memphis. She has published on the use of dialect and language in Italian cinema, on the reception of Dante in the English world and on the adoption of Gothic motifs in Italian literature. Among the most recent publications are ‘Guido Chiesa and postmodern Impegno’ in Nuovo cinema politico: Public Life, Imaginary and Identity in Contemporary Italian Film (eds Giancarlo Lombardi and Christian Uva) (Peter Lang, 2016) and ‘Plurilingualism in Andrea Segre’s Io sono Li and Guido Lombardi’s Là-bas: educazione criminale’ in Lingue, linguaggi e cinema in Italia (ed. Marco Gargiulo) (Aracne, 2016). She is currently completing a book on the use of spoken sounds in Italian cinema.