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Griselda Pollock

Griselda Pollock is professor of social and critical histories of art and director of the Centre for Cultural Analysis, Theory and History (CENTRECATH) at the University of Leeds, UK, creating queer, postcolonial and international feminist cultural theory and analysis. After-affects I After-Images: Trauma and Aesthetic Transformation in the Virtual Museum (Manchester, 2013) and Art in the Time-Space of Memory and Migration (Freud Museum and Wild Pansy Press, 2013) focused on trauma and aesthetic transformation in contemporary art. Recent publications include Charlotte Salomon in the Theatre of Memory (Yale, 2018), Concentrationary Art (edited with Max Silverman, 2019). Forthcoming are Is Feminism a Bad Memory? (Verso, 2019) and Monroe’s Mov(i)es: Class, Gender, Nation and the agency of Marilyn Monroe (2020).


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