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Jill Murphy
Jill Murphy is a doctoral candidate at University College Cork and tutors on the MA programme in Film Studies at the college. Her research focuses on the intersection between art and film, particularly as regards Passion iconography. Recent publications include an article in Artefact: Journal of the Irish Association of Art Historians (Issue 4 2010) on mimesis and identity in Derek Jarman’s Caravaggio, and a chapter on art-historical readings of the Sacred in the early films of Pier Paolo Pasolini in Faith and Spirituality in Masters of World Cinema Volume II (Cambridge Scholars Press, Forthcoming 2011).