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José Omar González Hernández
José Omar González Hernandez has a degree in history from the Autonomous University of Chihuahua, and a Master of Arts from the University of Guanajuato, degree obtained through the thesis; ‘The privilege of dancing: Music and cultural hegemony in the weekly El Mundo Ilustrado (1904–1914)’. He has published an article in the journal of scientific dissemination Metamorfosis, titled: ‘Homogeneity of romanticism as an ideological structure of music during the nineteenth century’, and has participated in national and international conferences such as Jornadas academicas de Heavy Metal and the XIII INAH Forum of Traditional Music. He is a member of the network of metal studies in Mexico and collaborator on the Seminario Permanente de Estudios Sobre Heavy Metal. His research aims to decentralize the knowledge of music and musical iconography through a multidisciplinary approach, with special emphasis on the theory of abjection, subaltern studies, the processes of canonization and scenes related to violence, the grotesque and the notion of bad taste.