Journal of Italian Cinema & Media Studies 8.1 is now available
Intellect is happy to announce that Journal of Italian Cinema & Media Studies 8.1 is now available!
For more information about the issue and journal, click here >> https://www.intellectbooks.
Aims & Scope
Journal of Italian Cinema & Media Studies is a fully peer-reviewed, English-language journal, which explores Italian cinema and media as sites of crossing, allowing critical discussion of the work of filmmakers, artists in the film industry and media professionals. The journal intends to revive a critical discussion on the auteurs, celebrate new directors and accented cinema and examine Italy as a geo-cultural locus for contemporary debate on translocal cinema.
Issue 8.1
Editorial
Two new columns: ‘Translations’ and ‘Archival Notes’
Giorgio Bertellini
Articles
Fellini’s 8½: Dreams, guilt, casting and ‘the code of codes’ of the cinematographic image
Sandra Meiri and Odeya Kohen Raz
The ‘angelification’ of girls: Winx Club as a neo-liberal Catholic project
Nicoletta Marini-Maio and Ellen Nerenberg
Italian transnational masculinity: Jeeg Robot, Il ragazzo invisibile and MilzaMan
Robert A. Rushing
Rachel Johnson
A threefold adaptation: Mario Martone’s Leopardi
Alessandra Mirra
Artist’s Corner
Elegance in a click: Giuseppe Di Caro and his photographs
Giuseppe Di Caro
Reports
Kinolab: A platform for the digital analysis of film language in narrative film and media
Allison Cooper
Young people and digital communication
Giulio Votano
Conference Reports
Rory McKenzie
Glen Bonnici
Film Festival Report
Angela Bianca Saponari
Other
- Transatlantico REX, Nave n. 296, Maurizio Sciarra (dir.) (2018) Gaetana Marrone
-Senza Rossetto, Emanuela Mazzina (archivist) and Silvana Profeta (dir.) (2018) Nicoletta Marini-Maio
- Tre in treno per l’Europa (e un pollo), Emanuela Piovano (dir.) (2019) Sarah Annunziato
- In the Mood in Our Own Way: Two Centuries of Musical Relationships between Italy and the United States, Luca Martera (dir.) (2018) Francesco Fiumara
- Nessun dorma, Paolo Strippoli (dir.) (2018) A pelo d’acqua, Rafael Farina Issas (dir.) (2018) Così in terra, Pier Lorenzo Pisano (dir.) (2018) Il nostro sangue, Gino Palummo (dir.) (2018) L’amata, Domenico Croce (dir.) (2018) Ellen Nerenberg
- Television Antiheroines: Women Behaving Badly in Crime and Prison Drama, Milly Buonanno (ed.) (2017) Ellen Nerenberg
- Il cinema di Stato: Finanziamento pubblico ed economia simbolica nel cinema italiano contemporaneo, Marco Cucco and Giacomo Manzoli (eds) (2017) Paolo Russo
- The Techne of Giving: Cinema and the Generous Form of Life, Timothy C. Campbell (2017) Jonathan Mullins
- Storia cinematografica della letteratura italiana, Edoardo Ripari (2017) Stefano Bona
- Storia sociale della televisione in Italia 1954–1969, Damiano Garofalo (2018) Milly Buonanno
- La cittadinanza come luogo di lotta: le seconde generazioni in Italia fra cinema e serialità, Leonardo De Franceschi (2018) Sole Anatrone
- Cinema italiano: Forme, identità, stili di vita, Roberto De Gaetano (2018) Silvia Carlorosi Roma e il cinema del dopoguerra: Neorealismo, melodramma, noir,
Lorenzo Marmo (2018) Alberto Lo Pinto
- Displacing Caravaggio: Art, Media, and Humanitarian Visual Culture, Francesco Zucconi (2018) Matthew D’Ambrosio Griffith
- The Divo and the Duce: Promoting Film Stardom and Political Leadership in 1920s America, Giorgio Bertellini (2019) Piero Garofalo
