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Kate Antosik-Parsons
Kate Antosik-Parsons is a contemporary art historian and a postdoctoral research fellow at Trinity College Dublin working with Dr Catherine Conlon on the HSE-funded Unplanned Pregnancy and Abortion Care Study. Kate was the researcher for NCAD’s recent project ‘Performance Art in Ireland in the 1990s’, a component of L’Internationale’s ‘Our Many Europes’ funded by Creative Europe Programme of the European Union. She has written recent articles on abject femininity in work by Willie Doherty (2020), Amanda Coogan’s Floats in the Aether (2020), obstetric violence and pain in Máiréad Delaney’s performances (2019) and embodied politics in recent Irish art (2019).
Contact: School of Social Work and Social Policy, Arts Building, Trinity College Dublin, Dublin, Ireland.