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Nicole Wolf

Nicole Wolf is senior lecturer in visual cultures at Goldsmiths, University of London. Her research and curatorial projects concentrate on political cinemas and experimentations with documentary modalities as relational practice. Her engagement with South Asian art, activist practices and feminisms informs her inquiry into international cinematic/political alliances for global publics of conflict and dissonance. Her more recent interests include the poetics of artistic and interventionist evidence narratives in the context of critical ecologies, indigenous cosmologies and permaculture practices and their ethos. Amongst other publications she is editor, with Bhaskar Sarkar of ‘Indian Documentary Studies: Contours of a Field’, Bioscope: South Asian Screen Studies (2012). She participated in the interdisciplinary arts project Living Archive – Archive Work as a Contemporary Artistic and Curatorial Practice (2011–13) through her research, writing and editing of a DVD with a restored version of Deepa Dhanraj’s Kya Hua is Shaher Ko (1985). The restoration and research of the feminist collective Yugantar’s (1980–83) works is part of the current project ‘Archive ausser sich’, both projects by Arsenal – Institute for Film and Video Art (Berlin).


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