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Studies in Costume & Performance 6.1 is out now!

Intellect is pleased to announce that Studies in Costume & Performance 6.1 is out now!

For more information on the journal and issue click here>>

https://www.intellectbooks.com/studies-in-costume-performance

Aims and Scope

Studies in Costume & Performance aims to encourage, generate and disseminate critical discourse on costume and the relationship between costume and performance. It considers costume as a symbiotic articulation of the body of the performer which is visual, material, temporal and performative. Whether performed live, seen through the camera lens or found in an archive, costume embodies and reflects the performance itself. The journal will bring together experts in costume, scenography, performance, fashion and curation as well as critically engaged practitioners and designers to reflect and debate costume in performance, its reception in production, exhibition and in academic critical discourse. Submission will include visual essays. The journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity. Past and current practice is considered through the ‘reading’ of the costumed body as a communication of embodied, cultural, social, artistic and historical narratives. As such this journal is an articulation of practice, which, through this process redefines practice itself.

Issue 6.1

Editorial

SUZANNE OSMOND AND EMILY COLLETT

Articles

From historical materiality to performance: Choreographic functions of the costumes in The Rite of Spring (1913)

HANNA JÄRVINEN

La Robe à la Française et la Robe l’Odalisque: Wearing women’s clothing in The Rose of Versailles

EMERALD KING

Shadows of Forgotten Ancestors: In search of national representation in the image of folklore

ALEXANDRA OVTCHINNIKOVA

In Conversation

Dream weaving: A conversation with Jennifer Irwin