Studies in Costume & Performance (Journal)

ISSN 20524013 , ONLINE ISSN 20524021

Studies in Costume & Performance is a peer-reviewed journal that aims to encourage, generate and disseminate critical discourse on costume and the relationship between costume and performance. It considers costume as a symbiotic articulation of the body of the performer which is visual, material, temporal and performative. Whether performed live, seen through the camera lens or found in an archive, costume embodies and reflects the performance itself.



Editor

Donatella Barbieri
University of the Arts London
d.barbieri@fashion.arts.ac.uk

Sofia Pantouvaki
Aalto University
sofia.pantouvaki@aalto.fi

Suzanne Osmond
National Institute of Dramatic Art
suzanne.osmond@nida.edu.au

Exhibition and Events Reviews Editor

Nadia Malik
Nottingham Trent University
nadia.malik@ntu.ac.uk

Book Reviews Editor

Veronica Isaac
University of Brighton
vtisaac@yahoo.co.uk

Studies in Costume & Performance aims to encourage, generate and disseminate critical discourse on costume and the relationship between costume and performance. It considers costume as a symbiotic articulation of the body of the performer which is visual, material, temporal and performative. Whether performed live, seen through the camera lens or found in an archive, costume embodies and reflects the performance itself. The journal will bring together experts in costume, scenography, performance, fashion and curation as well as critically engaged practitioners and designers to reflect and debate costume in performance, its reception in production, exhibition and in academic critical discourse. Submission will include visual essays. The journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity. Past and current practice is considered through the ‘reading' of the costumed body as a communication of embodied, cultural, social, artistic and historical narratives.  As such this journal is an articulation of practice, which, through this process redefines practice itself.  


Editor

Donatella Barbieri
University of the Arts London
d.barbieri@fashion.arts.ac.uk

Sofia Pantouvaki
Aalto University
sofia.pantouvaki@aalto.fi

Suzanne Osmond
National Institute of Dramatic Art
suzanne.osmond@nida.edu.au

Exhibition and Events Reviews Editor

Nadia Malik
Nottingham Trent University
nadia.malik@ntu.ac.uk

Book Reviews Editor

Veronica Isaac
University of Brighton
vtisaac@yahoo.co.uk

Editor

Donatella Barbieri
University of the Arts London
d.barbieri@fashion.arts.ac.uk

Sofia Pantouvaki
Aalto University
sofia.pantouvaki@aalto.fi

Suzanne Osmond
National Institute of Dramatic Art
suzanne.osmond@nida.edu.au

Exhibition and Events Reviews Editor

Nadia Malik
Nottingham Trent University
nadia.malik@ntu.ac.uk

Book Reviews Editor

Veronica Isaac
University of Brighton
vtisaac@yahoo.co.uk

Editor

Donatella Barbieri
University of the Arts London
d.barbieri@fashion.arts.ac.uk

Sofia Pantouvaki
Aalto University
sofia.pantouvaki@aalto.fi

Suzanne Osmond
National Institute of Dramatic Art
suzanne.osmond@nida.edu.au

Exhibition and Events Reviews Editor

Nadia Malik
Nottingham Trent University
nadia.malik@ntu.ac.uk

Book Reviews Editor

Veronica Isaac
University of Brighton
vtisaac@yahoo.co.uk

Download the Notes for Contributors here:

Notes for Contributors Download


Studies in Costume and Performance aims to encourage, generate and disseminate critical discourse on costume and the relationship between costume and performance. Whether performed live, seen through the camera lens or found in an archive, costume embodies and reflects the performance itself. Editors invite practitioners and scholars to submit articles, reviews and visual essays on all aspects of costume and performance.

Journal contributors will receive a free PDF copy of their final work upon publication. Print copies of the journal may also be purchased by contributors at half price.

Editor

Donatella Barbieri
University of the Arts London
d.barbieri@fashion.arts.ac.uk

Sofia Pantouvaki
Aalto University
sofia.pantouvaki@aalto.fi

Suzanne Osmond
National Institute of Dramatic Art
suzanne.osmond@nida.edu.au

Exhibition and Events Reviews Editor

Nadia Malik
Nottingham Trent University
nadia.malik@ntu.ac.uk

Book Reviews Editor

Veronica Isaac
University of Brighton
vtisaac@yahoo.co.uk

Editorial Board

Alexandra Bonds
University of Oregon

Joanne Entwistle
King’s College London, UK

Tiziana Ferrero-Regis
Tiziana Ferrero-Regis

Catherine Hindson
University of Bristol

Bella Mirabella
NYU Gallatin

Margaret Mitchell
UIW Theatre Arts, Texas

Siobhán O'Gorman

Catherine Spooner
Lancaster University

Peta Tait
LaTrobe University, Melbourne

Melissa Trimingham
University of Kent

Fausto Viana
Universidade de Sao Paulo

Advisory Board

Aileen Ribeiro
The Courtauld Institute of Art

Amy de la Haye
University of the Arts London

Christopher Breward
National Galleries of Scotland

Judith Clark
Curator

Nicky Gillibrand
Costume Designer, UK

Barbara Kaesbohrer
University of Osnabrück, Germany

Sodja  Lotker
Prague Academy of Performing Arts

Deborah Nadoolman Landis
Copley Center of Costume Design, University of California Los Angeles (UCLA)

Aoife Monks
Queen Mary, University of London

Jane Pritchard
Victoria and Albert Museum

Simona Rybáková
Costume Designer, Czech Republic

Helen Thomas
University of the Arts London

Claire Wilcox
Victoria and Albert Museum

Editor

Donatella Barbieri
University of the Arts London
d.barbieri@fashion.arts.ac.uk

Sofia Pantouvaki
Aalto University
sofia.pantouvaki@aalto.fi

Suzanne Osmond
National Institute of Dramatic Art
suzanne.osmond@nida.edu.au

Exhibition and Events Reviews Editor

Nadia Malik
Nottingham Trent University
nadia.malik@ntu.ac.uk

Book Reviews Editor

Veronica Isaac
University of Brighton
vtisaac@yahoo.co.uk

 
Publication Forum Finland
 
Ulrich’s

Contents

  • Volume (4): Issue (1)
  • Cover date: 2019


Contents

  • Volume (3): Issue (1)
  • Cover date: 2018


Contents

  • Volume (3): Issue (2)
  • Cover date: 2018


Contents

  • Volume (2): Issue (1)
  • Cover date: 2017


Contents

  • Volume (2): Issue (2)
  • Cover date: 2017


Contents

  • Volume (1): Issue (1)
  • Cover date: 2016


Contents

  • Volume (1): Issue (2)
  • Cover date: 2016


Editor

Donatella Barbieri
University of the Arts London
d.barbieri@fashion.arts.ac.uk

Sofia Pantouvaki
Aalto University
sofia.pantouvaki@aalto.fi

Suzanne Osmond
National Institute of Dramatic Art
suzanne.osmond@nida.edu.au

Exhibition and Events Reviews Editor

Nadia Malik
Nottingham Trent University
nadia.malik@ntu.ac.uk

Book Reviews Editor

Veronica Isaac
University of Brighton
vtisaac@yahoo.co.uk

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