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Studies in Costume & Performance 6.2 is out now!
Tuesday, January 25, 2022

Studies in Costume & Performance 6.2 is out now!

Intellect is pleased to announce that Studies in Costume & Performance 6.2 is out now!

 

For more information about the journal and issue click here>>

https://www.intellectbooks.com/studies-in-costume-performance

 

Aims and Scope

 

Studies in Costume & Performance aims to encourage, generate and disseminate critical discourse on costume and the relationship between costume and performance. It considers costume as a symbiotic articulation of the body of the performer which is visual, material, temporal and performative. Whether performed live, seen through the camera lens or found in an archive, costume embodies and reflects the performance itself.

 

The journal will bring together experts in costume, scenography, performance, fashion and curation as well as critically engaged practitioners and designers to reflect and debate costume in performance, its reception in production, exhibition and in academic critical discourse. Submission will include visual essays. The journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.

 

Past and current practice is considered through the ‘reading’ of the costumed body as a communication of embodied, cultural, social, artistic and historical narratives. As such this journal is an articulation of practice, which, through this process redefines practice itself.

 

Issue 6.2

 

Editorial

 

Critical Costume 2020: Investigating costume agency

SOFIA PANTOUVAKI AND BARBORA PŘÍHODOVÁ

 

Articles

 

How to perform Blackness: Creating possibilities through costume design

ANDREINA VIEIRA DOS SANTOS

 

Relations between body and clothing in performance: Costume as an activator of bodily actions

JOANA IMPARATO

 

Spatializing material–corporeal entanglements: A new materialist approach to the agential work of costume in the stage adaptation of The Lovely Bones (2018)

KITTY GURNOS-DAVIES

 

Research Reports

 

Unfolding a vision embedded in a garment: Three tools from a toolbox for generating performance from costume design

CHRISTINA LINDGREN

 

Costume as a shared sensorial experience

IZTOK HRGA AND TJAŠA FRUMEN

 

Visual Essays

 

Greenham: Costume, memory and activism in outdoor performance

VALENTINA CESCHI AND KATE LANE

 

Fraying Parachutes: Costume agency and convivencia in contemporary circus performance making

MICHELLE MAN

 

Agentic Aharya: Vibrant masks from South Asia

DEEPSIKHA CHATTERJEE

 

Insubordinate Costume

SUSAN MARSHALL

 

Exhibition Reviews

 

Critical Costume 2020 Exhibition: Costume Agency, curated by Yuka Oyama

ROSANE MUNIZ AND NIGEL GUÉRIN-GARNETT

 

Glamour: Famous Gowns of the Silver Screen, curated by Cornelia Bujin, Italo Nunziata and Hannu Palosuo

ALEXANDRA OVTCHINNIKOVA AND MAARIT KALMAKURKI

 

Book Reviews

 

The Costume Maker’s Companion, Diane Favell (2020)

TONI BATE

 

Shoe Reels: The History and Philosophy of Footwear in Film, Elizabeth Ezra and

Catherine Wheatley (eds) (2020)

CHERYL ROBERTS