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Studies in Musical Theatre 15.3 is out now! Special Section
Wednesday, March 23, 2022

Studies in Musical Theatre 15.3 is out now! Special Section

Intellect is pleased to announce that Studies in Musical Theatre 15.3 is out now!

 

Special Section: ‘The Bruce Kirle Memorial Panel, ATHE Conference’

 

For more information about the journal and issue click here>>

https://www.intellectbooks.com/studies-in-musical-theatre

 

Aims and Scope

 

Studies in Musical Theatre is a peer-reviewed journal and the first academic periodical in this area. We would like to invite contributions that explore any aspect of the musical on-stage or on-screen. For example:

 

  • music theatre and musical theatre;
  • archival and production research;
  • narratives of the musical stage ;
  • historiographical perspectives;
  • musicological and dramaturgical approaches;
  • performance and performance practice;
  • approaches to training and the industry;
  • the fusion of words and music;
  • the use of music and song within ‘straight’ theatre;
  • paralinguistics and rhetorical expression;
  • negotiating the art/entertainment divide;
  • the academic study of musical theatre.

 

The journal also welcomes contributions from recognized practitioners in the field, which may include writers, directors, MDs, performers, coaches, etc.

 

Issue 15.3

 

Editorial

JESSICA STERNFELD AND ELIZABETH WOLLMAN

 

Articles

 

From Heathers to Six: Stealth musicals and the TikTok Broadway archive

TREVOR BOFFONE

 

Presenting research as a libretto

MELISSA FENTON

 

Encounters with ‘the same’ (but different): London Road and the politics of territories and repetitions in verbatim musical theatre

DEMETRIS ZAVROS

 

Special Section: ‘The Bruce Kirle Memorial Panel, ATHE Conference’ 

 

Introduction to the Special Section

BRIAN EUGENIO HERRERA

 

Articles

 

Soliman’s legacy: What Mozart has to teach us about race in musical theatre

BRANDON LAREAU

 

‘Moments in the Woods’: Gay cruising, Into the Woods and AIDS

MARK MONTONDO

 

‘Welcome to the Rock’: Come from Away as happiness machine

GRAHAME RENYK

 

‘Jesus, the Ark for Today’: Evangelizing through Sight & Sound Theatres’s Noah

CHELSEA TAYLOR

 

Book Reviews

 

Cultural Identity in British Musical Theatre, 1890–1939: Knowing One’s Place, Ben Macpherson (2018)

WILLIAM A. EVERETT

 

The Oxford Handbook of Musical Theatre Screen Adaptations, Dominic McHugh (ed.) (2018)

JENNIFER DANIEL

 

Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom, Landon Palmer (2020)

ELEONORA SAMMARTINO