News

Studies in Musical Theatre 18.2 is out now!
Thursday, October 31, 2024

Studies in Musical Theatre 18.2 is out now!

Intellect is pleased to present Studies in Musical Theatre 18.2!

 

This issue contains a wide-ranging collection of writings about the human voice, ethnicity, marketing, politics, stylistic influence and more.

 

For more information about the journal and issue click here>>

https://www.intellectbooks.com/studies-in-musical-theatre

 

Aims & Scope

 

Studies in Musical Theatre provides a forum to debate a wide range of texts that articulate the musical together with the theatrical. This peer-reviewed journal brings together a variety of critical approaches to contribute to the discussion surrounding live performance, the development and form of musical theatre and its value as a cultural product in theory and practice. Here, you will find a wealth of writing encompassing everything from opera to film musical to pop video.

 

SMT is the journal of the International Society for the Study of Musicals. 

 

This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI).

 

Issue 18.2

 

Editorial

JESSICA STERNFELD AND ELIZABETH WOLLMAN

 

Articles

 

What’s race got to do with it?: ‘Racialized voice’ and ‘vocalized race’ in Tina: The Tina Turner Musical

MARCO ROQUE DE FREITAS

 

Marketing a (high school) musical on TikTok

TREVOR BOFFONE

 

Catch the references if you can: Marc Shaiman and stylistic pastiche

NICK BRAAE

 

‘If I were at peace, I wouldn’t be here’: Staging incarceration’s transgenerational, transnational ghosts and memory in Jay Kuo’s Allegiance

EMRY SOTTILE

 

That musical politic: Musical theatre citations and satire in the Trump era

SAMUEL YATES

 

Reviews

 

Seriously Mad: Mental Distress and the Broadway Musical, Aleksei Grinenko (2024)

LINDSEY R. BARR

 

Merrily We Roll Along, New Broadway Cast Recording (2023)

ANDREW BUCHMAN

 

Broadway Bodies: A Critical History of Conformity, Ryan Donovan (2023)

TRINIDAD LINARES

 

Musical Theatre for the Female Voice: The Sensation, Sound and Science of Singing, Shaun Aquilina (2023)

BEN MACPHERSON

 

Redwood, directed by Tina Landau (2024)

ROBERT MEFFE

 

British and American Musical Theatre Exchanges in the West End (1924–1970): The ‘Americanization’ of Drury Lane, Arianne Johnson Quinn (2022)

HANNAH NEUHAUSER

 

Up Here, directed by Thomas Kail, Kimmy Gatewood, Chioke Nassar and Rachel Raimist (2023)

CAITLAN TRUELOVE