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Studies in Musical Theatre 18.3 is out now! Special Issue
Monday, February 10, 2025

Studies in Musical Theatre 18.3 is out now! Special Issue

Intellect is pleased to present Studies in Musical Theatre 18.3!

 

Special Issue: ‘The Musical-Theatrical Global South’

 

While conventional scholarship often overlooks the Global South, this collection of articles brings attention to the rich genealogies of song, dance and theatre in these regions, complicating the traditional definition of the ‘musical’. The issue further examines the political dimensions of musical theatre in the Global South which engage with complex historical narratives. Roundtable discussions with scholars and creators from countries such as Brazil, Lebanon, India, Nigeria and South Africa provide insights into the intersections between local traditions.

 

For more information about the journal and issue click here>>

https://www.intellectbooks.com/studies-in-musical-theatre

 

Aims & Scope

 

Studies in Musical Theatre provides a forum to debate a wide range of texts that articulate the musical together with the theatrical. This peer-reviewed journal brings together a variety of critical approaches to contribute to the discussion surrounding live performance, the development and form of musical theatre and its value as a cultural product in theory and practice. Here, you will find a wealth of writing encompassing everything from opera to film musical to pop video.

 

SMT is the journal of the International Society for the Study of Musicals. 

 

This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI).

 

Issue 18.3

 

Editorial

 

Introduction: The musical-theatrical Global South

MASI ASARE AND EMILIO MÉNDEZ

 

Articles

 

Brazilian musicals during the military dictatorship period (1964–85): Fighting violence through art

LARISSA DE OLIVEIRA NEVES

 

Genealogy and sketch of Indonesian musical theatre

JOSH STENBERG

 

Concert theatre, a new genre of contemporary Iranian musical

NILOOFAR MOHTADI

 

Orpheus in Hell: Adaptation and reimagination of a myth in Rio de Janeiro’s musical theatre

ALEX BÁDUE

 

Africanist diasporic identities: Nigerian immigrants in the Global North in Bode Omojola’s opera Ìrìn Àjò

OLASUNBO OMOLARA LOKO AND OMOTOLANI EBENEZER EKPO

 

Roundtable Transcript

 

Musical-theatrical Global South roundtables: Selected excerpts

MASI ASARE AND EMILIO MÉNDEZ

 

Review

 

Malinche, directed by Nacho Cano (2022)

ALEJANDRO POSTIGO

 

Excerpts

 

Mexicano Flores

CLAUDIA ROMERO-HERRERA AND LORENA OLIVA

 

Context for The Olurombi Musical

LEESI PATRICK AND BOLANLE AUSTEN-PETERS