
Studies in Musical Theatre 18.3 is out now! Special Issue
Intellect is pleased to present Studies in Musical Theatre 18.3!
Special Issue: ‘The Musical-Theatrical Global South’
While conventional scholarship often overlooks the Global South, this collection of articles brings attention to the rich genealogies of song, dance and theatre in these regions, complicating the traditional definition of the ‘musical’. The issue further examines the political dimensions of musical theatre in the Global South which engage with complex historical narratives. Roundtable discussions with scholars and creators from countries such as Brazil, Lebanon, India, Nigeria and South Africa provide insights into the intersections between local traditions.
For more information about the journal and issue click here>>
https://www.intellectbooks.com/studies-in-musical-theatre
Aims & Scope
Studies in Musical Theatre provides a forum to debate a wide range of texts that articulate the musical together with the theatrical. This peer-reviewed journal brings together a variety of critical approaches to contribute to the discussion surrounding live performance, the development and form of musical theatre and its value as a cultural product in theory and practice. Here, you will find a wealth of writing encompassing everything from opera to film musical to pop video.
SMT is the journal of the International Society for the Study of Musicals.
This title is indexed with Scopus and the Web of Science’s Emerging Sources Citation Index (ESCI).
Issue 18.3
Editorial
Introduction: The musical-theatrical Global South
MASI ASARE AND EMILIO MÉNDEZ
Articles
Brazilian musicals during the military dictatorship period (1964–85): Fighting violence through art
LARISSA DE OLIVEIRA NEVES
Genealogy and sketch of Indonesian musical theatre
JOSH STENBERG
Concert theatre, a new genre of contemporary Iranian musical
NILOOFAR MOHTADI
Orpheus in Hell: Adaptation and reimagination of a myth in Rio de Janeiro’s musical theatre
ALEX BÁDUE
OLASUNBO OMOLARA LOKO AND OMOTOLANI EBENEZER EKPO
Roundtable Transcript
Musical-theatrical Global South roundtables: Selected excerpts
MASI ASARE AND EMILIO MÉNDEZ
Review
Malinche, directed by Nacho Cano (2022)
ALEJANDRO POSTIGO
Excerpts
CLAUDIA ROMERO-HERRERA AND LORENA OLIVA
Context for The Olurombi Musical
LEESI PATRICK AND BOLANLE AUSTEN-PETERS