The Cinema of Mika Kaurismäki (Book)

Transvergent Cinescapes, Emergent Identities

Mika Kaurismäki’s films challenge many boundaries – national societies, genre formations, art/popular culture, fiction/documentary, humanity/nature, and problematic distinctions between different zones of development. Synthesizing concepts from a range of thematic frameworks – e.g. auteurism, eco-philosophy, genre, cartography, cineaste networks, global reception, distribution and exhibition practices, and the potential of postnationalism – this book provides an interdisciplinary reading of Kaurismäki’s cinema.

Category: Film Studies

Edition

Mika Kaurismäki’s films challenge many boundaries – national societies, genre formations, art/popular culture, fiction/documentary, humanity/nature, and problematic distinctions between different zones of development. Synthesizing concepts from a range of thematic frameworks – e.g. auteurism, eco-philosophy, genre, cartography, cineaste networks, global reception, distribution and exhibition practices, and the potential of postnationalism – this book provides an interdisciplinary reading of Kaurismäki’s cinema. The notion of ‘transvergence’ – of thinking in heterogeneous and polyphonal terms – emerges as an analytical method for exploring the power of these films. Through this, the volume encourages rethinking transnational cinema studies in relation to many oft-debated notions such as Finnish culture, European identity, cosmopolitanism and globalization.

A PDF version of this book is available for free in open access via the OAPEN Library platform: The Cinema of Mika Kaurismaki. It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.

Pietari Kääpä is a teaching fellow in cultural studies and international communications at University of Nottingham Ningbo in China.

Introduction: The (trans)national and the Global in Mika Kaurismäki’s Films
 
The Aki/Mika Syndrome: Cosmopolitan Auteurism and the Search for Cinematic Stability
 
Cross-genre: Transnational Genre Mutations
 
Mapping Transnational Space at the Margins of the Global Metropolis: Representations of the City in Kaurismäki’s Films
 
Post-road: Deconstructing the European Road Movie
 
Auto-ethnography: Merging the Self and 'Other' in Brazilian Music Documentaries
 
Post-nation: Kaurismäki’s Films in a Global Spectrum
 
The Potential of Post-humanism: Kaurismäki and the Ecological Imagination
 
The Polyphonality of Transvergence: The Reception of Kaurismäki’s Cinema
 
Conclusion: Beyond the Happy Ending
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