Journal of Music Production Research

Journal of Music Production Research (Journal)

ISSN 3050-2942 , ONLINE ISSN 3050-2950

The Journal of Music Production Research (JMPR) is a peer-reviewed academic publication that aims to define, analyze, and advance scholarly discourse in the diverse field of music production. It emphasizes the artistic, technical and innovative practices that shape this discipline, serving as a leading platform for rigorous research and critical inquiry where art, science and industry practice intersect.

JMPR invites contributions from a broad audience, including academics, students across various disciplines and industry professionals. The journal aims to augment and expand our understanding of music production and contribute significantly to its development.

Key areas of consideration include emerging technological innovations in music production; production techniques and aesthetics, including practice-based research; psychoacoustic studies on listener perception; user experience and interface design; industry insights and professional practices; cultural and social perspectives; pedagogical developments in music education; musicological analyses of recorded music; sustainability practices; and the historical evolution of production techniques and equipment. Overall, JMPR offers a rich environment for exploring the art and science of music production and its impact on society and the industry.

Category: Music, Performing Arts, Practice and Practitioners, Sound

Recommend to your library

First published in 2026
2 issues per volume

Co-Editors

Austin Moore
University of Huddersfield, UK
a.p.moore@hud.ac.uk

Mike Alleyne
Middle Tennessee State University, US (Emeritus)
mike.alleyne@mtsu.edu

Associate Editors

Samantha Bennett
Australian National University, AUS
samantha.bennett@anu.edu.au

Ragnhild Brøvig
University of Oslo, NOR
ragnhild.brovig@imv.uio.no

William Moylan
Professor Emeritus University of Massachusetts Lowell, US
William_Moylan@uml.edu

Aims & Scope

JMPR focuses on the artistic, technical and innovative practices that shape music production and aims to be the leading platform for rigorous research and critical inquiry at the intersection of art, science and industry practice.

Areas for consideration include, but are not limited to:

Technological Innovations: Studies on emerging and established tools, digital audio workstations, synthesisers, and hardware.
Production Techniques and Aesthetics: Analyses of sonic signatures, practice-based research on industry best practices, and innovative approaches to music production.
Psychoacoustic and Perceptual Studies: Investigations into the impact of production techniques on listener perception and emotional responses.
User Experience and Interface Design: Research on how user interfaces affect the production process and user satisfaction.
Industry Insights: Explorations of music production's role within the broader music industry, including economic frameworks, copyright issues, and global production contexts.
Cultural and Social Perspectives: Explorations of how music production reflects and influences cultural and social practices, with a focus on the creative, technical, and methodological contributions to the field.
Pedagogical Developments: Discussions on curriculum design, teaching methodologies, and assessment strategies in music production education.
Musicological Analysis: In-depth sonic analysis and interpretations of recorded music with a focus on production.
Sustainability in Music Production: Research on environmentally conscious practices and sustainable methods.
Historical Perspectives: Studies on the evolution of music production techniques, equipment, and industry practices.

Submissions

To submit an article please follow the 'Submit' button on the left of this page.

Download the Notes for Contributors above for information on format and style of submissions. If you need this document in a more accessible format, please contact info@intellectbooks.com. Find more information on Intellect's Accessibility page.

Intellect has partnered with Enago to offer a 20% discount on their services for our authors and contributors. Enago provide English editing services, including copy editing and translation. This service is intended for potential contributors who would like translation and/or copy editing assistance prior to submitting their work for consideration. Visit their page here to find out more.

All articles submitted should be original work and must not be under consideration by other publications.

Journal contributors will receive a free PDF copy of their final work upon publication. Print copies of the journal may also be purchased by contributors at half price.

Peer Review Policy

All articles undergo initial editorial screening either by the journal's Editorial Team and/or incumbent Guest Editors. Articles then undergo a rigorous, anonymous, external peer review by two referees, following the guidance in Intellect's 'Peer review instructions'. Based on this feedback, the Editors will communicate a decision and revision suggestions to authors. To appeal an editorial decision, please contact the main Editor who will consider your case.

Ethical Guidelines

The journal follows the principles set out by the Committee on Publication Ethics (COPE). Read our Ethical Guidelines for more on the journal's standards.

Co-Editors

Austin Moore
University of Huddersfield, UK
a.p.moore@hud.ac.uk

Mike Alleyne
Middle Tennessee State University, US (Emeritus)
mike.alleyne@mtsu.edu

Associate Editors

Samantha Bennett
Australian National University, AUS
samantha.bennett@anu.edu.au

Ragnhild Brøvig
University of Oslo, NOR
ragnhild.brovig@imv.uio.no

William Moylan
Professor Emeritus University of Massachusetts Lowell, US
William_Moylan@uml.edu

Co-Editors

Austin Moore
University of Huddersfield, UK
a.p.moore@hud.ac.uk

Mike Alleyne
Middle Tennessee State University, US (Emeritus)
mike.alleyne@mtsu.edu

Associate Editors

Samantha Bennett
Australian National University, AUS
samantha.bennett@anu.edu.au

Ragnhild Brøvig
University of Oslo, NOR
ragnhild.brovig@imv.uio.no

William Moylan
Professor Emeritus University of Massachusetts Lowell, US
William_Moylan@uml.edu

Co-Editors

Austin Moore
University of Huddersfield, UK
a.p.moore@hud.ac.uk

Mike Alleyne
Middle Tennessee State University, US (Emeritus)
mike.alleyne@mtsu.edu

Associate Editors

Samantha Bennett
Australian National University, AUS
samantha.bennett@anu.edu.au

Ragnhild Brøvig
University of Oslo, NOR
ragnhild.brovig@imv.uio.no

William Moylan
Professor Emeritus University of Massachusetts Lowell, US
William_Moylan@uml.edu

General Call for Papers

JMPR is a peer-reviewed academic journal that seeks to define, explore, analyse and advance scholarly discourse and practice in the multifaceted field of music production. Its primary focus is on the artistic, technical and innovative practices that occur at the intersection of art and science.

We welcome submissions from scholars, practitioners and industry professionals who contribute to the growing body of knowledge in music production. Research from all relevant methodologies and disciplines is encouraged, particularly on interdisciplinary approaches bridging the gap between music production's scientific and artistic aspects.

The journal accepts research across a broad spectrum of topics, including investigations into technological innovations like emerging tools and hardware, analyses of production techniques and their aesthetic impact, musicological analyses of recorded music, studies on the psychoacoustic and perceptual effects of music production choices and historical perspectives on the evolution of music production practices, techniques, equipment and cultures. Furthermore, the journal encourages submissions exploring music industry insights, investigations into pedagogical developments and perspectives on sustainability practices within music production.

Submissions

We invite submissions of original research articles between 6,000 and 8,000 words for publication in JMPR. The use of audio and video material is encouraged to support the written text but should not be the primary focus of the submission.

We will also accept a small selection of transcriptions of interviews with prominent industry figures of up to 3,000 words. These interviews should shed light on topics of interest to music production scholars. They may include conversations with the producers of albums of interest and/or insights from other personnel in the music industry that can provide relevant and worthy perspectives on music production.

Special Issue Call for Papers

There are no current Special Issue calls for the journal at this time.

Co-Editors

Austin Moore
University of Huddersfield, UK
a.p.moore@hud.ac.uk

Mike Alleyne
Middle Tennessee State University, US (Emeritus)
mike.alleyne@mtsu.edu

Associate Editors

Samantha Bennett
Australian National University, AUS
samantha.bennett@anu.edu.au

Ragnhild Brøvig
University of Oslo, NOR
ragnhild.brovig@imv.uio.no

William Moylan
Professor Emeritus University of Massachusetts Lowell, US
William_Moylan@uml.edu

Editorial & Advisory Board

Nyssim Lefford
Luleå University of Technology, Sweden

Chris Dewey
University of Huddersfield, UK

Gary Bromham
Queen Mary University, UK

Serge Lacasse
University of Laval, CA

Malachy Ronan
University of Limerick, IRL

Mads Walther-Hansen
Aalborg University, DK

Paul Théberge
Carleton University, CA

Anne Danielsen
University of Oslo, NOR

adam patrick bell
Western University, Canada

Lachlan Goold
University of the Sunshine Coast, AUS

Andrew Scheps

John Howland
Norwegian University of Science and Technology, NOR

Pat O'Grady
Australian National University, AUS

Co-Editors

Austin Moore
University of Huddersfield, UK
a.p.moore@hud.ac.uk

Mike Alleyne
Middle Tennessee State University, US (Emeritus)
mike.alleyne@mtsu.edu

Associate Editors

Samantha Bennett
Australian National University, AUS
samantha.bennett@anu.edu.au

Ragnhild Brøvig
University of Oslo, NOR
ragnhild.brovig@imv.uio.no

William Moylan
Professor Emeritus University of Massachusetts Lowell, US
William_Moylan@uml.edu

Co-Editors

Austin Moore
University of Huddersfield, UK
a.p.moore@hud.ac.uk

Mike Alleyne
Middle Tennessee State University, US (Emeritus)
mike.alleyne@mtsu.edu

Associate Editors

Samantha Bennett
Australian National University, AUS
samantha.bennett@anu.edu.au

Ragnhild Brøvig
University of Oslo, NOR
ragnhild.brovig@imv.uio.no

William Moylan
Professor Emeritus University of Massachusetts Lowell, US
William_Moylan@uml.edu

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