MIRAJ: Moving Image Review & Art Journal (Journal)

ISSN 20456298 , ONLINE ISSN 20456301

Moving Image Review & Art Journal is the first international peer-reviewed scholarly publication devoted to artists' film and video, and their contexts. It offers a forum for debates surrounding all forms of artists' moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations and other screen-based works made by artists.



Editors

Michael Mazière
Centre for Research in Education, Art and Media (CREAM), University of Westminster
m.maziere@westminster.ac.uk

Lucy Reynolds
Centre for Research in Education, Art and Media (CREAM), University of Westminster
L.Reynolds02@westminster.ac.uk

Reviews Editor

Maria Walsh
CCW Research, University of the Arts London
miraj@cream.ac.uk

Editorial Assistants

Sarah Niazi
CREAM Ph.D. Programme, University of Westminster

Matthias Kispert
CREAM Ph.D. Programme, University of Westminster

Associate Editors

Sean Cubitt
Goldsmiths College, University of London, UK

Eu Jin Chua
Auckland University of Technology

Jonathan Walley
Denison University

Moving Image Review & Art Journal (MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists' film and video, and its contexts. It offers a forum for debates surrounding all forms of artists' moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations and other screen-based works made by artists. MIRAJ aims to consolidate artists' moving image as a distinct area of study that bridges a number of disciplines, not limited to, but including art, film and media.


Editors

Michael Mazière
Centre for Research in Education, Art and Media (CREAM), University of Westminster
m.maziere@westminster.ac.uk

Lucy Reynolds
Centre for Research in Education, Art and Media (CREAM), University of Westminster
L.Reynolds02@westminster.ac.uk

Reviews Editor

Maria Walsh
CCW Research, University of the Arts London
miraj@cream.ac.uk

Editorial Assistants

Sarah Niazi
CREAM Ph.D. Programme, University of Westminster

Matthias Kispert
CREAM Ph.D. Programme, University of Westminster

Associate Editors

Sean Cubitt
Goldsmiths College, University of London, UK

Eu Jin Chua
Auckland University of Technology

Jonathan Walley
Denison University

Editors

Michael Mazière
Centre for Research in Education, Art and Media (CREAM), University of Westminster
m.maziere@westminster.ac.uk

Lucy Reynolds
Centre for Research in Education, Art and Media (CREAM), University of Westminster
L.Reynolds02@westminster.ac.uk

Reviews Editor

Maria Walsh
CCW Research, University of the Arts London
miraj@cream.ac.uk

Editorial Assistants

Sarah Niazi
CREAM Ph.D. Programme, University of Westminster

Matthias Kispert
CREAM Ph.D. Programme, University of Westminster

Associate Editors

Sean Cubitt
Goldsmiths College, University of London, UK

Eu Jin Chua
Auckland University of Technology

Jonathan Walley
Denison University

Editors

Michael Mazière
Centre for Research in Education, Art and Media (CREAM), University of Westminster
m.maziere@westminster.ac.uk

Lucy Reynolds
Centre for Research in Education, Art and Media (CREAM), University of Westminster
L.Reynolds02@westminster.ac.uk

Reviews Editor

Maria Walsh
CCW Research, University of the Arts London
miraj@cream.ac.uk

Editorial Assistants

Sarah Niazi
CREAM Ph.D. Programme, University of Westminster

Matthias Kispert
CREAM Ph.D. Programme, University of Westminster

Associate Editors

Sean Cubitt
Goldsmiths College, University of London, UK

Eu Jin Chua
Auckland University of Technology

Jonathan Walley
Denison University

Notes for Contributors Download


All articles submitted should be original work and must not be under consideration by other publications.

We invite contributions from art historians and critics, film and media scholars, curators and, not least, practitioners. We welcome articles, reviews, features and opinion pieces on a range of topics including but not restricted to:

  • re-reading of standard histories of artists’ film and video
  • the development of media arts
  • medium-specificity of film, video and new media, in a ‘post-medium condition’
  • the proliferation of projected and screen-based images in contemporary art
  • the still and the moving image; the role of sound; the televisual and the interaction of the moving image with other elements including technology, human presence and the installation environment
  • subjectivity and spectatorship
  • the spread of moving images beyond the classical spaces of the cinema and the gallery, across multiple institutions, sites and delivery platforms
  • the uses of the moving image in art: from political activism to pure sensory and aesthetic pleasure, from reportage to documentary testimony, from performativity to social networking

We welcome writing that intersects with other academic disciplines and artistic practices, and articles that offer new methods of theorizing and writing the moving image.

We publish the following types of writing: scholarly articles (5000–8000 words); opinion pieces, feature articles and interviews (3000–4000 words); review articles of books, individual works, exhibitions and events (3000–4000 words).

Scholarly articles and features are refereed, in which case anonymity is accorded to authors and referees. There are normally two referees, chosen for their expertise in the subject area. They are asked to comment on the comprehensibility, originality and scholarly worth of the article submitted.

All writings should propose a central idea or thesis argued through a discussion of the work under review. Articles submitted to this journal should be original and not under consideration by any other publication. We do not publish articles by artists about their own work, nor reviews by curators or venues about their own exhibitions.

Referencing should be in Harvard style and all text should adhere to the Intellect Style Guide.

For all articles, features and reviews, please submit completed manuscripts.

The following guidance is by no means comprehensive and must be read in conjunction with the Intellect Style Guide.

Editors

Michael Mazière
Centre for Research in Education, Art and Media (CREAM), University of Westminster
m.maziere@westminster.ac.uk

Lucy Reynolds
Centre for Research in Education, Art and Media (CREAM), University of Westminster
L.Reynolds02@westminster.ac.uk

Reviews Editor

Maria Walsh
CCW Research, University of the Arts London
miraj@cream.ac.uk

Editorial Assistants

Sarah Niazi
CREAM Ph.D. Programme, University of Westminster

Matthias Kispert
CREAM Ph.D. Programme, University of Westminster

Associate Editors

Sean Cubitt
Goldsmiths College, University of London, UK

Eu Jin Chua
Auckland University of Technology

Jonathan Walley
Denison University

International Advisory Board

Ian Christie
Birkbeck, University of London

Stuart Comer
Museum of Modern Art

Maeve Connolly
Dun Laoghaire Institute of Art, Design and Technology

David Curtis
Central Saint Martins, UAL

T.J. Demos
University of California

Thomas Elsaesser
University of Amsterdam

Catherine Elwes

Catherine Fowler
University of Otago

Amrit Gangar
National Museum of Indian Cinema

David E. James
University of Southern California

Laura Mulvey
Birkbeck College, University of London

Mark Nash

Michele Pierson
King’s College, London

Pratap Rughani
London College of Communications, UAL

Catherine Russell
Concordia University, Canada

Colin Perry
Central Saint Martins

Federico Windhausen
Film scholar and curator

Editors

Michael Mazière
Centre for Research in Education, Art and Media (CREAM), University of Westminster
m.maziere@westminster.ac.uk

Lucy Reynolds
Centre for Research in Education, Art and Media (CREAM), University of Westminster
L.Reynolds02@westminster.ac.uk

Reviews Editor

Maria Walsh
CCW Research, University of the Arts London
miraj@cream.ac.uk

Editorial Assistants

Sarah Niazi
CREAM Ph.D. Programme, University of Westminster

Matthias Kispert
CREAM Ph.D. Programme, University of Westminster

Associate Editors

Sean Cubitt
Goldsmiths College, University of London, UK

Eu Jin Chua
Auckland University of Technology

Jonathan Walley
Denison University

 
Art Source
 
ERIH
 
International Index to Film Periodicals
 
International Index to the Performing Arts (IIPA)
 
Scopus
 
Ulrich’s

Contents

  • Volume (7): Issue (1)
  • Cover date: 2018


Contents

  • Volume (7): Issue (2)
  • Cover date: 2018


Contents

  • Volume (6): Issue (1&2)
  • Cover date:


Contents

  • Volume (5): Issue (1&2)
  • Cover date:


Contents

  • Volume (4): Issue (1&2)
  • Cover date:


Contents

  • Volume (3): Issue (1)
  • Cover date: 2014


Contents

  • Volume (3): Issue (2)
  • Cover date: 2014


Contents

  • Volume (2): Issue (1)
  • Cover date: 2013


Contents

  • Volume (2): Issue (2)
  • Cover date: 2013


Contents

  • Volume (1): Issue (1)
  • Cover date: 2012


Contents

  • Volume (1): Issue (2)
  • Cover date: 2012


Editors

Michael Mazière
Centre for Research in Education, Art and Media (CREAM), University of Westminster
m.maziere@westminster.ac.uk

Lucy Reynolds
Centre for Research in Education, Art and Media (CREAM), University of Westminster
L.Reynolds02@westminster.ac.uk

Reviews Editor

Maria Walsh
CCW Research, University of the Arts London
miraj@cream.ac.uk

Editorial Assistants

Sarah Niazi
CREAM Ph.D. Programme, University of Westminster

Matthias Kispert
CREAM Ph.D. Programme, University of Westminster

Associate Editors

Sean Cubitt
Goldsmiths College, University of London, UK

Eu Jin Chua
Auckland University of Technology

Jonathan Walley
Denison University

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