Theatrical Reality (Book)
Space, Embodiment and Empathy in Performance
Theatrical Reality examines how the liminal spaces of performance foster specific ways of conceptualising time, place and reality. Campbell Edinborough draws on sociological theory, cognitive psychology and embodiment studies to analyse our understanding of theatrical reality and the relationships between performer, spectator and performance space.
Campbell Edinborough is a lecturer in Drama and Theatre Practice at the University of Hull. His research applies somatic paradigms of experience and cognition to the study of dance, theatre and performance. This research is informed by his study of somatic practices and his work as a Feldenkrais practitioner. He has published and presented papers on performance training, somatics and performance and cognition. His current research is interested in the study of liminal spaces as sites for empathetic engagement and deliberation.
Locating Theatrical Reality
Embodiment and the Dialectical Reality of Scenic Space
Watching Bodies in Theatrical Space
Authentic Fictions: Truthful Behaviour in Given Circumstances
Theatrical Reality Beyond the Theatre Walls
Spectatorial Corporeality and Theatrical Intimacy
Meta-Realities in Autobiographical Theatre, Film and Television
'The book asks seemingly simple, but extremely complex questions such as “What do we mean by theatricality?” and “How might we define reality within the context of theatrical performance?” The concept of scenic space is paramount throughout the book. Of course, the complexity of these questions does not mean that they should not be tackled – rather, it is a brave scholar that chooses to address these issues head on. In my judgment, this book does just that with considerable aplomb and, I believe, success.'