Trans(per)Forming Nina Arsenault (Book)
An unreasonable body of work
Transgendered playwright, performer, columnist and sex worker Nina Arsenault has undergone more than sixty plastic surgeries in pursuit of a feminine beauty ideal. In TRANS(per)FORMING Nina Arsenault, Judith Rudakoff brings together a diverse group of contributors, including artists, scholars and Arsenault herself to offer an exploration of beauty, image and the notion of queerness through the lens of Arsenault's highly personal brand of performance art.
Illustrated throughout with photographs of the artist's transformation over the years and demonstrating her diversity of personae, this volume contributes to a deepening of our understanding of what it means to be a woman and what it means to be beautiful. Also included in this volume is the full script of Arsenault's critically acclaimed stage play, The Silicone Diaries.
After sixty surgeries at a cost of almost $200,000 to feminize and beautify her originally male body, transgendered Canadian artist Nina Arsenault has created a body of work emanating from her experiences that includes photographs, videos disseminated online, a website, a blog, several social networking presentation sites, stage plays, print media writing and performance of the body in both celebrity appearances and daily public life. Arsenault was born in rural Ontario in 1974 and until the age of six lived as Rodney in a trailer park with her working-class family. Her father delivered bread.
Judith Rudakoff is professor of theatre at York University in Toronto, Ontario. She is an award-winning dramaturge and coauthor of Between the Lines: The Process of Dramaturgy.
Introduction – Judith Rudakoff
Part I: The Texts
Chapter 1: Affirming Identity with Your Friendly Neighbourhood Cyborg – Sky Gilbert
Chapter 2: Unreal Beauty: Identification and Embodiment in Nina Arsenault’s “Self-Portraits” – J. Paul Halferty
Chapter 3: Daughter of the Air: Three Acting Sessions and Nina Arsenault’s Imaginary Body – Cynthia Ashperger
Chapter 4: Nina, Amber and the Evolution of a Commodified Sexual Being – Todd Klinck
Chapter 5: Sexed Life is a Cabaret: The Body Politics of Nina Arsenault’s The Silicone Diaries – Frances J. Latchford
Chapter 6: Chopping at the Sexy Bits: [Trans]cending the Body with Surgical Conundrums – J Mase III
Chapter 7: Nina Arsenault: Fast Feminist Objet a – Shannon Bell
Chapter 8: T he Artist as Complication: Nina Arsenault and the Morality of Beauty – Alistair Newton
Chapter 9: Landscape with Yukon and Unnatural Beauty – Nina Arsenault
Chapter 10: Performing the Prosthetics of Femininity: Nina Arsenault’s Transsexual Body as a Living Art Object – Benjamin Gillespie
Chapter 11: Compelling Honesty: Searching for Authenticity in the Voice of Nina Arsenault – Eric Armstrong
Chapter 12: Live in Your Blood: A Fragmentary Response to Nina Arsenault’s Holy Theatre and Spiritual Gift – Shimon Levy
Chapter 13: St. Nina and the Abstract Machine: Aesthetics, Ontology, Immanence – David Fancy
Part II: THE SILICONE DIARIES
Director’s Note – Brendan Healy
The Silicone Diaries – Nina Arsenault
Part III: The Photographs