Redefining Theatre Communities (Book)

International Perspectives on Community-Conscious Theatre-Making

Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. It also reflects on transformations in structural, textual and theatrical conventions, and explores changing modes of production and spectatorship.


Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social and cultural aspects of community-conscious theatre-making. While doing so, the volume reflects on recent transformations in structural, textual and theatrical conventions and traditions, and explores the changing modes of production and spectatorship in relation to theatre communities. The essays edited by Marco Galea and Szabolcs Musca present an array of emerging perspectives on the politics, ethics, and practices of community representation on the contemporary international theatre landscape. An international, interdisciplinary collection featuring work by theatre scholars, theatre-makers and artistic directors from across Europe and beyond, Redefining Theatre Communities will appeal to those interested in the diverse forms of socially engaged theatre and performance.

Dr Szabolcs Musca is research fellow at the Centre for Theatre Research (CET) at the University of Lisbon (Portugal), founding director of New Tides Platform (UK) and project lead of Migrant Dramaturgies Network, currently leading an international research project on theatre and migration in Europe.

Dr Marco Galea is a senior lecturer in theatre studies at the University of Malta. He has written mainly on nineteenth- and twentieth-century theatre in Malta and on postcolonial theatre and literature.

Table of Figures                                                                                               



Marco Galea and Szabolcs Musca

PART I: Theatre Communities: Traces, Places and Belonging                          

Communal Solidarity and Amateur Theatre in Post-Revolutionary Russia: Theoretical Approaches                   

Stefan Aquilina

Theatre in Malta: Which Spaces Does the Community Occupy? 

Vicki Ann Cremona and Ruben Paul Borg

Performance, Dislocation and Spirituality: Adrift Together     

Zoe Zontou

PART II: Performing Communal Identities: Ethics, Politics and Affect     

The Politics of Spectatorship: Community, Ethics and Affect in Contemporary British Rewritings of Ancient Tragedies 

Maria Elena Capitani

Living and Working in Tepantor: Understanding Political Theatre and the Community

Pujya Ghosh

Bodies Without Organs and Organs Without Bodies: The Maltese Experience of Creating National Theatres 

Marco Galea

PART III: 'Glocal' Representations of Theatre Communities     

Local and Global Stages: Translating Communities in Hybrid Cultural Spaces 

Szabolcs Musca

The Economic Communities of the Edinburgh August Festivals: An Exclusive 'Global Sense of Place' and an Inclusive 'Local Sense of Space' 

Evi Stamatiou

Strategies of Empowerment: Postmigrant Theatre at the Ballhaus Naunynstrasse  

Hasibe Kalkan

PART IV: Creative Encounters: Changing Ecologies       

Community and Ownership: Uncovering New Voices at the Royal Court Theatre  

Mark O'Thomas in conversation with Vicky Featherstone 

UrbanDig Project: Theatre for Neighbourhoods         

Zoe Zontou in conversation with George Sachinis

Community Theatre as Political Theatre: Towards a New Political Theatre Practice

Marius Bogdan Tudor and Ionuț Sociu in conversation with David Schwartz

PART V: Emerging Practices: Connecting Through the Digital and the Verbatim    

New Technologies for a New Audience?  Using Transmedia Storytelling towards a New Experience Design Form                                               

Ágnes Bakk

Manipulation of Reality Through an Interactive Game: Remote X as an Example of New Modes of Spectatorship                         

Nad’a Satkova  

Feeding Back: Verbatim Theatre and/as Communal Practice       

Bettina Auerswald


Marco Galea and Szabolcs Musca

Notes on Contributors

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