Performing Ethos: International Journal of Ethics in Theatre & Performance (Journal)
This peer-reviewed journal considers ethical questions relating to contemporary theatre and live performance. Global in scope, it provides a unique forum for rigorous scholarship and serious reflection on the ethical dimensions of a wide range of performance practices from the politically and aesthetically radical to the mainstream.
Principal Editor
Lourdes Orozco
University of Leeds
L.Orozco@leeds.ac.uk
Founding Editor
Carole-Anne Upton
Middlesex University
Reviews Editor
Cristina Delgado-García
University of Glasgow
Cristina.DelgadoGarcia@glasgow.ac.uk
Performing Ethos (PEET) aims to identify and explore key ethical issues facing theatre and performance today. Acknowledging that ethical issues are always contextually determined, PEET intends to examine the range of ethical concerns and responses that arise within different cultural contexts. Global in scope, PEET provides a unique forum for rigorous scholarship and serious reflection on the ethical dimensions of a wide range of performance practices, from the politically and aesthetically radical to the mainstream. Of equal interest are those practices which are ethically motivated, and those in which ethical concerns are less clearly to the fore.
Principal Editor
Lourdes Orozco
University of Leeds
L.Orozco@leeds.ac.uk
Founding Editor
Carole-Anne Upton
Middlesex University
Reviews Editor
Cristina Delgado-García
University of Glasgow
Cristina.DelgadoGarcia@glasgow.ac.uk
Principal Editor
Lourdes Orozco
University of Leeds
L.Orozco@leeds.ac.uk
Founding Editor
Carole-Anne Upton
Middlesex University
Reviews Editor
Cristina Delgado-García
University of Glasgow
Cristina.DelgadoGarcia@glasgow.ac.uk
Principal Editor
Lourdes Orozco
University of Leeds
L.Orozco@leeds.ac.uk
Founding Editor
Carole-Anne Upton
Middlesex University
Reviews Editor
Cristina Delgado-García
University of Glasgow
Cristina.DelgadoGarcia@glasgow.ac.uk
Contributions are welcome from a diverse range of professional and intellectual perspectives and moral and philosophical standpoints. PEET publishes full peer-reviewed articles, interviews, short reflections on topics for debate, book reviews and reports of relevant events. Submissions might consider, but are not limited to:
Theoretical paradigms appropriate to ethics and theatre, and the relationship between them
Ethics of representation (authenticity, gender, sexuality, class, ethnicity, age, disability, culture, beliefs)
Ethics of witnessing, participation and spectatorship
Ethics in relation to inter- and intra-culturalism
Ethics of applied and interventionist theatre, including community theatre, theatre for development, theatre and education, theatre and health
Critical perspectives on ethically motivated performance
Performance, ethics and the law
Ethical practices in the creative industries (including training, authorship, employment, sustainability)
The staging and performance of ethical questions
Research ethics in theatre and performance
The journal normally considers articles of 5–7,000 words dealing with any aspect of theatre or performance practice, criticism or analysis with a focus on ethical considerations. Longer articles will be considered but no article should exceed 8,000 words. Contributions to the ‘Reflections' section (short meditations, provocations or case studies) of between 500–1000 words are also welcome, as are interviews with practitioners or agents whose work is potentially of interest to the journal's readership.
Journal contributors will receive a free PDF copy of their final work upon publication. Print copies of the journal may also be purchased by contributors at half price.
All articles submitted should be original work and must not be under consideration by other publications.
Principal Editor
Lourdes Orozco
University of Leeds
L.Orozco@leeds.ac.uk
Founding Editor
Carole-Anne Upton
Middlesex University
Reviews Editor
Cristina Delgado-García
University of Glasgow
Cristina.DelgadoGarcia@glasgow.ac.uk
Editorial Board
Franc Chamberlain
University of Huddersfield, UK
Erik Ehn
Brown University
Eugene van Erven
University of Utrecht
Helen Freshwater
Newcastle University
Helena Grehan
Murdoch University
Deirdre Heddon
Glasgow University
Yvette Hutchison
University of Warwick
Daniel Meyer-Dinkgräfe
University of Lincoln, UK
Freddie Rokem
Tel Aviv University
Cheyney Ryan
University of Oxford
Christiane Schlote
University Base
Jane Taylor
University of Witwatersrand
Joanne Tompkins
University of Queensland
James Thompson
University of Manchester, UK
Principal Editor
Lourdes Orozco
University of Leeds
L.Orozco@leeds.ac.uk
Founding Editor
Carole-Anne Upton
Middlesex University
Reviews Editor
Cristina Delgado-García
University of Glasgow
Cristina.DelgadoGarcia@glasgow.ac.uk
Contents
- Volume (9): Issue (1)
- Cover date: 2019
Contents
- Volume (8): Issue (1)
- Cover date: 2018
Contents
- Volume (7): Issue (1)
- Cover date: 2017
Contents
- Volume (6): Issue (1)
- Cover date: 2015
Contents
- Volume (5): Issue (1)
- Cover date: 2015
Contents
- Volume (4): Issue (1)
- Cover date: 2013
Contents
- Volume (4): Issue (2)
- Cover date: 2013
Contents
- Volume (3): Issue (1)
- Cover date: 2012
Contents
- Volume (3): Issue (2)
- Cover date: 2012
Contents
- Volume (2): Issue (1)
- Cover date: 2012
Contents
- Volume (2): Issue (2)
- Cover date: 2012
Contents
- Volume (1): Issue (1)
- Cover date: 2010
Contents
- Volume (1): Issue (2)
- Cover date: 2010
Principal Editor
Lourdes Orozco
University of Leeds
L.Orozco@leeds.ac.uk
Founding Editor
Carole-Anne Upton
Middlesex University
Reviews Editor
Cristina Delgado-García
University of Glasgow
Cristina.DelgadoGarcia@glasgow.ac.uk