Luxury Studies (Journal)

The In Pursuit of Luxury Journal

ISSN 26351609 , ONLINE ISSN 26351617

As a term which has made its way into everyday language, the idea of luxury has secured a place in contemporary society. Luxury Studies: The In Pursuit of Luxury Journal explores the many issues and debates surrounding the idea of luxury as a historical and contemporary phenomenon, both critically and commercially.

Luxury Studies: The In Pursuit of Luxury Journal is published in association with In Pursuit of Luxury (IPOL).

View the related title Crafting Luxury by Shaun Borstrock, Veronica Manlow, Mark Bloomfield and Silvio Carta here.

For more information, to access the journal or to subscribe visit the Discover platform here.



Principal Editors

Shaun Borstrock
Ravensbourne University London, UK
s.borstrock@rave.ac.uk

Veronica Manlow
Brooklyn College, USA
veronica.manlow@gmail.com

First Associate Editor

Chiara Colombi
Politecnico di Milano, Italy
chiara.colombi@polimi.it

Second Associate Editor

Silvio Carta
Greenwich University, UK
silviocartas@gmail.com

Reviews Editor

Ken Kweku Nimo
King's College London, UK
kenkwekunimo@gmail.com

Notes for Contributors Download


Aims & Scope

Luxury Studies: The In Pursuit of Luxury Journal (IPOL) will provide invaluable insight into the luxury supply chain, enhancing the impact of research within the area of luxury. The new knowledge generated by the journal will have a direct impact on how luxury is defined and contribute to the understanding of a wide range of academic and industry-related issues.

Authors will be drawn from a broad range of national and international disciplines. Sharing experiences between multi- and transdisciplinary theory and practice provides an innovative approach to understanding the luxury market, how it operates and the impact it has on global 'communities'. 

Academic communities will benefit through increased access to knowledge provided by and about industry partners – something that is often challenging due to the closed nature of industry practice. Industry readers will benefit from academic engagement and input through the sharing of diverse theoretical and practical experience. 

Through shared dialogue between academics and industry practitioners, the journal hopes to stimulate change within the luxury sector; bringing about change in the supply chain in the form of new, more democratic models that promote the circular economy, sustainability and fair practices in employment.

Submissions

To submit an article, please follow the 'Submit' button on the left of this page.
 
Download the Notes for Contributors above for information on format and style of submissions. If you need this document in a more accessible format, please contact info@intellectbooks.com. Find more information on Intellect's Accessibility page.
 
Intellect has partnered with Enago to offer a 20% discount on their services for our authors and contributors. Enago provide English editing services, including copy editing and translation. This service is intended for potential contributors who would like translation and/or copy editing assistance prior to submitting their work for consideration. Visit their page here to find out more.
 
All articles submitted should be original work and must not be under consideration by other publications.
 
Journal contributors will receive a free PDF copy of their final work upon publication. Print copies of the journal may also be purchased by contributors at half price.

Peer Review Policy

All articles undergo initial editorial screening either by the journal's Editorial Team and/or incumbent Guest Editors. Articles then undergo a rigorous anonymous peer review by two referees, following the guidance in Intellect's 'Peer review instructions'. Based on this feedback, the Editors will communicate a decision and revision suggestions to authors. To appeal an editorial decision, please contact the main Editor who will consider your case.

Ethical Guidelines

The journal follows the principles set out by the Committee on Publication Ethics (COPE). Read our Ethical Guidelines for more on the journal's standards.

Principal Editors

Shaun Borstrock
Ravensbourne University London, UK
s.borstrock@rave.ac.uk

Veronica Manlow
Brooklyn College, USA
veronica.manlow@gmail.com

First Associate Editor

Chiara Colombi
Politecnico di Milano, Italy
chiara.colombi@polimi.it

Second Associate Editor

Silvio Carta
Greenwich University, UK
silviocartas@gmail.com

Reviews Editor

Ken Kweku Nimo
King's College London, UK
kenkwekunimo@gmail.com

Principal Editors

Shaun Borstrock
Ravensbourne University London, UK
s.borstrock@rave.ac.uk

Veronica Manlow
Brooklyn College, USA
veronica.manlow@gmail.com

First Associate Editor

Chiara Colombi
Politecnico di Milano, Italy
chiara.colombi@polimi.it

Second Associate Editor

Silvio Carta
Greenwich University, UK
silviocartas@gmail.com

Reviews Editor

Ken Kweku Nimo
King's College London, UK
kenkwekunimo@gmail.com

Principal Editors

Shaun Borstrock
Ravensbourne University London, UK
s.borstrock@rave.ac.uk

Veronica Manlow
Brooklyn College, USA
veronica.manlow@gmail.com

First Associate Editor

Chiara Colombi
Politecnico di Milano, Italy
chiara.colombi@polimi.it

Second Associate Editor

Silvio Carta
Greenwich University, UK
silviocartas@gmail.com

Reviews Editor

Ken Kweku Nimo
King's College London, UK
kenkwekunimo@gmail.com

Call for Papers Download


General Call for Papers

Luxury is a constantly changing idea that provokes much debate. Whether rooted in the manufacturing techniques developed during the eighteenth century or the emergence of the kinds of digital processes that impact on design, craftsmanship and production today, certain constants remain in how we perceive and define luxury. Technology continues to influence our lives and decision-making processes. Circular economic models address the need to be aware of the impact of our actions on the production of goods and services. Data driven information informs and enhances our understanding of the customer and can provide goods and services to address their individual needs. This is in stark contrast to mass produced products and ‘services’ which – through global portals – contradict the very nature of luxury, with its emphasis on the unique, the bespoke and the singular, over mass consumption. 

It could be said that the roles of manufacturing and craftsmanship are, and remain, critical components of how luxury is defined. But is the impact of digital technologies changing our very understanding of what luxury means today? Should the notion of luxury be adapted/re-examined? If so, what form should luxury take in terms of reflecting and reacting to continued advancements in technological processes, opportunities and services? Current concerns that need addressing include consumption, waste and the impact of our actions on the planet, health and well-being, equality and change. An emphasis on corporate social responsibility has enabled the tracking and tracing of finished goods and the materials used in their construction, including their environmental impact and the well-being of those involved in production. As the industry becomes more transparent, can luxury continue to remain beyond scrutiny? 

Submissions

We welcome contributions from scholars from all disciplines and from practitioners from all segments of luxury including but not limited to fashion, jewellery, hospitality, architecture, automotive, technology and aviation.

We are now accepting full papers (5000–7000 words) for the journal, and also welcome book, exhibition and conference reviews. These should be prepared using Intellect House Style, which is available to download from https://www.intellectbooks.com/journal-editors-and-contributors. All articles submitted should be original work and must not be under consideration by other publications. Articles for Luxury Studies are double-blind peer reviewed.

All submissions should be sent via the ‘Submit’ link on the journal webpage (https://www.intellectbooks.com/luxury-studies), which will direct to the IPOL manuscript submissions system. Please contact the editors for any additional questions or information. 

 

 

Principal Editors

Shaun Borstrock
Ravensbourne University London, UK
s.borstrock@rave.ac.uk

Veronica Manlow
Brooklyn College, USA
veronica.manlow@gmail.com

First Associate Editor

Chiara Colombi
Politecnico di Milano, Italy
chiara.colombi@polimi.it

Second Associate Editor

Silvio Carta
Greenwich University, UK
silviocartas@gmail.com

Reviews Editor

Ken Kweku Nimo
King's College London, UK
kenkwekunimo@gmail.com

Editorial Board

Mark Beecroft
Manchester Metropolitan University, UK

Sheena Calvert
University of the Arts London, UK

Isabel Cantista
ISEM Fashion Business School, Spain

Federica Carlotto
Sotheby's Institute of Art, UK

Jessica Clark
Brock University, Canada

Fabio Duma
Zurich University of Applied Sciences, Switzerland

Fabian Faurholt Csaba
Copenhagen Business School, Denmark

Marta Franceschini
Victoria and Albert Museum, UK

Eunice Geustyn
Ruth Prowse School of Art, South Africa

Jacqui Jenkins
Fashion Institute of Technology, USA

Karan Khurana
Westminster International University in Tashkent, Uzbekistan

Riley Kucheran
Ryerson University, Canada

Nigel Lezama
Brock University, Canada

Jay McCauley Bowstead
London College of Fashion, University of the Arts London, UK

Peter Oakley
Royal College of Art, UK

Mark O'Connell
Seneca College, Canada

Jean-Marc Pelletier
Nagoya Zokei University of Art and Design, Japan

Joanne Roberts
Winchester Luxury Research Group, UK

Advisory Board

Bijou Abiola
Strategic Advisor to the CEO, Cartier, USA

John Armitage
Winchester Luxury Research Group, UK

Christopher Berry
Professor Emeritus, University of Glasgow, UK

Mark Bloomfield
Visiting Professor and Designer, UK

Helen Brocklebank
CEO Walpole, UK

Jessica Bugg
London College of Fashion, UK

Maria Grachvogel
Designer, UK

Patrick Mathieu
PATRICKMATHIEU Recherche & Conseil, France

Karinna Nobbs
Hot Second, UK

Sundar Padmanaban 
Chief Technology Officer, Ripe.io, USA

Lucas Rubin
Brooklyn College of the City University of New York, USA

Else Skjold
Copenhagen Business School and Design School Kolding, Denmark

Mark Thome
Vice President, Trading Technology, Finzly, USA

Nadia Tuma-Weldon
EVP, Global Head of Thought Leadership, McCann Worldgroup, USA

Principal Editors

Shaun Borstrock
Ravensbourne University London, UK
s.borstrock@rave.ac.uk

Veronica Manlow
Brooklyn College, USA
veronica.manlow@gmail.com

First Associate Editor

Chiara Colombi
Politecnico di Milano, Italy
chiara.colombi@polimi.it

Second Associate Editor

Silvio Carta
Greenwich University, UK
silviocartas@gmail.com

Reviews Editor

Ken Kweku Nimo
King's College London, UK
kenkwekunimo@gmail.com

 
China National Knowledge Infrastructure (CNKI)
 
Ulrich's Periodicals Directory

Contents

  • Volume (2): Issue (1-2)
  • Cover date:


Contents

  • Volume (1): Issue (1)
  • Cover date: 2022


Contents

  • Volume (1): Issue (2)
  • Cover date: 2022


Principal Editors

Shaun Borstrock
Ravensbourne University London, UK
s.borstrock@rave.ac.uk

Veronica Manlow
Brooklyn College, USA
veronica.manlow@gmail.com

First Associate Editor

Chiara Colombi
Politecnico di Milano, Italy
chiara.colombi@polimi.it

Second Associate Editor

Silvio Carta
Greenwich University, UK
silviocartas@gmail.com

Reviews Editor

Ken Kweku Nimo
King's College London, UK
kenkwekunimo@gmail.com

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